The 2024 US Open theme #art will detail the vast array of #tennis’ unique advantages, through bold and #creative theme art created by St. Louis native Chelsey Farris, who is the first American woman to design the Open’s official art in 15 years. | @usopen https://t.co/A5lJyTUY9S
#Artfairs are on the minds of many of #London’s new gallerists, although, as Lucca Hue-Williams points out, the recent surge in shipping costs is causing dealers to look more locally. | Anny Shaw @ArtBasel https://t.co/ehzLHyZFVr #art
From Wassily Kandinsky's "Dance Curves: On the Dances of Palucca," 1926. Published in Das Kunstblatt arts journal, also in 1926. Photos by Charlotte Rudolph.
Through her recent work with the #robot, Merritt Moore, ballerina & physicist, hopes she’s found a way to pursue #science and #dance simultaneously. She’s exploring the use of #AI to help make the performances more interactive. @nhpasquini@HarvardMagazine https://t.co/uBeXWYOykd
A look back at my one of my element embroideries today, The Guardian of Air. 🌬️ My hair definitely has felt the breeze today and totally has the “windswept look” too 😅 All completely freehand stitched in January 2023. 🧵🪡🌿🌺
#stitchedart#thesewingsongbird
The greatest show not on earth 🌑🌞
Yesterday, millions witnessed a total solar eclipse.
Back in April 17, 1912, crowds gathered in Paris’s Place de la Bastille for a similar experience. But rather than recording the astronomical phenomenon itself, photographer Eugène Atget turned his lens on its awestruck spectators, who gaze upwards at the thrilling power of nature.
Atget is best known for documenting the characterful and timeworn architecture of Paris, making more 8,000 photographs of the city in his career.
📸‘Eclipse, 1911’, gold-toned gelatin silver print from Eugène Atget's original 18 x 24 cm glass negative. One of twenty images from the portfolio '20 Photographs by Eugène Atget', published and printed by Berenice Abbott, 1956.