Crypto Society

[Cinematic Giants @CinematicGiants]

Ellery Twining made “Oy!” as part of a soundtrack for a student film by Ben Bostian, a filmmaker he connected with through a loose web of shared SCAD history and mutual contacts. https://t.co/f5qzCTNGbB

[Cinematic Giants @CinematicGiants]

Lana Crow is a British singer-songwriter who was born in Kazakhstan and classically trained on piano from early childhood. https://t.co/JbKuN9tdlV

[Cinematic Giants @CinematicGiants]

Susan Style is a Taiwanese producer and singer-songwriter based in London, writing and producing her own material and treating this debut as a personal record shaped by leaving Taipei for London. https://t.co/uXduSh7SoS

[Cinematic Giants @CinematicGiants]

Kim Cameron is a Miami Beach artist with Billboard chart history who’s been stepping into a progressive new age space for a run of singles.
https://t.co/p4TewnGsky

[Cinematic Giants @CinematicGiants]

Soft as Hell is a Brighton project led by one person who wrote the track and played everything except the drums, which are handled by Jamie-Ray Scarratt. https://t.co/AxKFRvMxkQ

[Cinematic Giants @CinematicGiants]

SYLIANRUE is the solo project of Yuichi Nishikawa, a former industrial rock vocalist who shifted into composition after developing a vocal disorder. https://t.co/sOKQ6tDzdm

[Cinematic Giants @CinematicGiants]

Cries of Redemption is Ed Silva’s project out of Bloomingdale, built from a big backlog and a stubborn dislike of algorithm-chasing release habits. https://t.co/n1zZ3iouZ8

[Cinematic Giants @CinematicGiants]

Eternal Mourning is a Montreal indie folk project that likes its songs dark and cinematic. “Working That Mine” is framed as a track about persistence and internal pressure, the grind part, not the glory part.
https://t.co/usdk7HuNBi

[Cinematic Giants @CinematicGiants]

Mashal MN is a solo producer in Saitama, handling the writing, arrangement, and mix alone in Logic Pro. He talks about film-score scale and neo-classical influence in the same breath,... https://t.co/PYrbrwQB4F

[Cinematic Giants @CinematicGiants]

Pocket Lint is Mark Heffernan’s project, built around short songs as little exhibits. https://t.co/PR4qONOaIl

[Cinematic Giants @CinematicGiants]

Lisa Lim’s “Out Of My Mind” wastes no time acting polite. It jumps in with rock’n’roll teeth already showing, guitars roughed up, drums stomping forward, the track moving with a greasy confidence that suits the title. https://t.co/CKVrNfbpQX

[Cinematic Giants @CinematicGiants]

Jack Agdur’s Veiled States moves with the patience of someone comfortable leaving a question open. The EP is piano-led, quiet in its scale, and focused on emotional shades that never fully announce themselves. https://t.co/G7SBQ1yemC

[Cinematic Giants @CinematicGiants]

Lucian Lacewing’s “Land Of Enchantment” enters like a room already glowing in low light. The Bristol artist’s debut single does not need drums to create movement. https://t.co/D0qdRsLtwM

[Cinematic Giants @CinematicGiants]

“Travelin’ Heart” by Joseph Turner & The Dudes of Hazard moves like a road song already in motion: warm, handmade, and built for end credits or travel scenes..

https://t.co/rTqXwUOKkS

[Cinematic Giants @CinematicGiants]

HJ Soul’s “Unbreakable” opens with piano that feels almost storybook at first, soft enough to suggest fantasy, but weighted enough to keep the song from floating away. https://t.co/pCdpAtDkdL

[Cinematic Giants @CinematicGiants]

AnnaBelle Swift’s “Belong” has the sound of someone stepping into a new room and deciding not to leave. There is a country-folk tint in the writing, with enough Americana color to give the song a warm, open feel. https://t.co/U8Tbiy7VJk

[Cinematic Giants @CinematicGiants]

Lucija Grabovac’s Smile sounds close to the ground: guitars, vocal warmth, soft percussion, keys, and songs that move through love, healing, nature, and the quiet after a breakup. https://t.co/ScNwIeVIT3

[Cinematic Giants @CinematicGiants]

AMBASADORIA is messy, emotional, and refuses to sit still. Kowalczyk and Limami piece together fragments of memory, rhythm, and noise into something that feels personal and unfinished on purpose.
https://t.co/K6lY2uCJIX

[Cinematic Giants @CinematicGiants]

Post Death Soundtrack – IN ALL MY NIGHTMARES I AM ALONE: A Fractured, Ferocious, and Fearlessly Personal Album

https://t.co/Z8VVNUvBVH

[Cinematic Giants @CinematicGiants]

Jakob The Liar Lights the Fuse with Debut EP ‘Wake Up Mr. Kupferberg’
https://t.co/0Y1WlVyGav