Hi, I'm Daisy!
I truly love this culture and I'm here to create music and spin the cat!
My first video is now live! https://t.co/8fEuMtMGcu
Youβll be able to find "LEGACY - OIIA OIIA (Spinning Cat)" on all digital music platforms within 24 hours.
#OIIAOIIA#SpinningCat#Ethel
BACKROOMS - OIIA OIIA (Spinning CAT) (TUNG TUNG TUNG SAHUR) @xertxetin
The long-awaited video is now live! π₯
It's a pleasure to host the OIIA ORIGINALS series.
#OIIAOIIA#backrooms#tungtungtungsahur
β¨ https://t.co/50UsLb2G1p
I'll be reading all your comments β don't hesitate to share your thoughts!
See you in the comments and on my YouTube channel! π
Valorant New Agent: OIIA OIIA Spinning CAT Make your enemies' heads spin. β»οΈ
#OIIAOIIA#valorant#ViralShorts
"Fan-made & independent β Not affiliated with any brand."
I know you don't like reading long texts, and I know I sound very corporate, but I don't exactly live a normal life anyway. I have to explain myself. I'm sorry, I love you all;
I want to clarify a bit about my experience and current situation.
In the past, my artist channel was closed, and at that time I was still new to the industry and lacked experience. Later on, I learned how things work and adapted. After that, I moved forward with VEVO for distribution purposes.
Throughout this process, I have consistently supported @DaisyOIIA and shared all core content ideas, music, and planning with them. The OIIA Originals content is also distributed via VEVO, but honestly, it has not provided a meaningful financial return. I understand some might assume high streaming numbers equal significant income, but in my case, the payouts from VEVO/DistroKid have been very limited.
From my perspective, these revenues do not even cover basic operational costs such as production, electricity, office expenses, and other ongoing needs. Overall, the project has been operating at a loss.
For this reason, I am considering moving this project under @DaisyOIIA and continuing the distribution through them directly. I believe this could help reduce communication issues and complications caused by working through multiple intermediaries.
This is simply a personal decision based on my current experience and workflow structure.
(Anything can happen in the future. Keep growing. It doesn't matter if I'm visible or not, my name is everywhere even if I'm not.)
#OIIAOIIA #VEVO #Distrokid
Iβm really tired at this point. Iβm tired of constantly dealing with problems, constantly feeling ignored, constantly having plans delayed, and suffering both financially and emotionally because of it. Why?????? I genuinely donβt understand.
Iβm exhausted from working with systems that feel far from professional. Why do independent creators have to struggle this much just to release their work properly?
DistroKid, why are the processes so difficult and unclear?
Why is communication with partners and artists so limited?
What exactly are creators supposed to do in situations like this?
There isnβt even live support. A release can stay under review for days or weeks, and after all that waiting, it gets rejected without enough transparency or explanation. That experience is extremely frustrating for independent artists.
I donβt want conflict or escalation. I just want a system that works fairly, communicates clearly, and respects creatorsβ time and effort.
Is there really no distribution platform that can provide a smoother and more reliable experience for artists?
@DistroKid #distrokid #backrooms #vevo
MONTAGEM MIA - OIIA OIIA (Spinning CAT)
https://t.co/0TY34jmg6Z βοΈππ
I'm grateful to everyone who left a heart or a comment, thank you. β»οΈ
#oiiaoiia#spinningcat#montagem
@xertxetin Honestly, one of the most low-key yet powerful people ever.
Famous, but doesnβt even need to be in front of a camera to shake entire systems. Thatβs actually crazy.