@DangervilleTeam oh Skydance better not fucked up the distribution of the movie , it's the same exact tactic that previous WB did when they get owned by discovery, letting movies dies with lack of marketting , i know it's legendary but Skydance is distributing now
@sataniris@lucasaragaos@alttspeed not only from souther india, there is also sri lanka , singapour , etc... and a lot of them are in Uk, Canada and France
@SallieMay97@robreau_arthur ah je sais , c'est juste pour préciser en quoi , elle ne s'alligne pas du tout à la politique de son zombie de père et ce nepo baby incompétent de frère
@SallieMay97@robreau_arthur et aussi c'est une lesbienne , bon , meme ça maintenant , ça vaut rien au vu de certains moments de la communauté lgbtq au états unis qui sont maga
@Alhess133@BatAbsolute ah donc ils veulent un superman sans reel personnalité , juste torse nu genre vu l'audience hyper mascu toxic très drole qu'ils se fantasment à un mec avec des poils sur le torse et musclé , genre , peux etre c'était leur gay awening , mais ouais , c'est des cons
@Alhess133@BatAbsolute bizarrement le contraire de ceux que snyder penses , littéralement le mec a dit cash que 300 est un film gay , déjà aie pour eux lol , en plus , il a choisi une autrice trans pour écrire son comics rebel moon et donner du travail à jamie clayton post sense8
Brandon Routh (antigo Superman) compartilhou um vídeo que denuncia a onda de demissões que a Skydance de David Ellison está promovendo.
Outros atores da CW, diretores do DCU, o supervisor de VFX de "Superman" e o próprio Anthony Carrigan (Metamorfo) também curtiram o vídeo.
Lol. I looked into Namit Malhotra’s background since the Ramayana trailer sold him on Interstellar and Dune. The guy doesn’t have a single creative bone in his body. He’s an out and out business executive. He’s never been a filmmaker, and he’s never worked as a VFX artist or supervisor and and as far as I can tell he has no VFX or technical credit on any film that's won an oscar.
He runs a VFX services company that grew on Indian labour arbitrage, which is a fine business model. But taking credit for Interstellar or Dune is like the CEO of a Bangalore IT services firm saying he built the iPhone because his offshore team handled some backend work.
Also, DNEG was a London based VFX firm and had already won an Oscar for Inception before Prime Focus merged with it in 2014.
DNEG's founders held creative control after the merger. Interstellar’s effects were supervised by Paul Franklin, one of Double Negative’s co-founders. The Dune Part Two Oscar was accepted by the VFX supervisors, not by him.
He basically bought a controlling stake in a studio that already had a reputation, and now markets himself as the man behind its Oscars.
@reallifeuzi the joke on the holocaust , i mean yeah okay , i accept it , but the krav maga , why in the hell , it was dropped out , like litteraly from all martial arts in the world , they choose that one , that part is propagandish also the tv show was terrible
@ScarletJeffy yeah tbf in the comics , that's kinda what she is like , well when mysoginist write her , when i do want an actual positive of the character maybe played by a romani actress , next time (just saying)