@PhonyReality You're asking me to choose a favourite child. I'm saying Malcolm because I believe he learned from his back to back seasons better than Amanda did from hers.
Amanda got booted in HvV because she tried to pander to Parv, who saw through it. Same reason she lost her first two.
@vikku60879 I think it makes the film so much more powerful when it's ambiguous. Whether Nikki liked Bear or not, he violated her and took away her autonomy.
He didn't want her to love him, he wanted her to fit what his idea of her loving him was.
@BrandonBombay@SolaceCinema They had already finished this movie before Obsession hit theatres. It's not really a case of trying to catch lightning in a bottle
@mandoIorian Honestly, he has a really generous edit and is portrayed very positively. If you don't know about his BTS drama, he's pretty loveable in the edit
@mjarbo When you look at the pay breakdown, none of the box office went back to the creators. There was a $15 acquisition and $12m of that went to paying investors and agencies. Backend pay is an option that people can negotiate for, but that didn't happen.
@PhonyReality This should be the final lol. I think Cirie's Micronesia game is the best non-winning game ever so I have to vote for her, but Wentworth's Cambodia game is just behind that
@pastelETH@UrAFckngRetard She probably was paid at a higher rate. $300 a day on a $750k production evens out to around 1% of the total budget, which an extremely high cut for such a small budget
@pastelETH Even the creators don't get a shred of the box office money and the majority of the acquisition fee they got paid by the distributor went back to paying investors. Nobody is entitled to royalties, working in film is paid like a normal salary job
@StephyBx_ It would be one thing if she was stiffed an exploited, but she just got paid a standard wage (12-14 hour days so $21-25USD/hr) and feels entitled to more because the movie succeeded. Mind that this is all after taxes, so she was paid at an even higher rate.
@StephyBx_ The creators, investors, and production companies are the ones that take all of the risk on a film and they get paid back accordingly. Almost 12m of the 15m acquisition fee was paid back to investors and agencies. The creators funneled their remaining money into their next film.