I was only number 5,600 in line and still couldn't even checkout with the slim options that were left. What a joke.
The @oasis private ballot presale was already an absolute joke but then you have @Ticketmaster, which always proves itself to be the worst thing in existence.
Oasis Live ‘25 tickets for Chicago, IL. have now SOLD OUT.
Please be aware of counterfeit and void tickets appearing on the secondary market.
Tickets can ONLY be resold via @Ticketmaster and @Twickets, at face value.
@zjamesc1@blink182 Never asked for pristine vocals but if you can’t make it through half your set without having to go into survival mode to save the rest of your set for a show at this scale, you probably shouldn’t have done it. Glad others didn’t seem to mind. I just don’t share that sentiment.
Cannot believe how disappointed I am with the @blink182 Milwaukee show. I understand that you can’t predict illnesses but I would’ve rather had a cancelation or a rescheduling instead of the show we received. With the price of concert tickets nowadays this was unacceptable.
@AHeller56 Lmao they actually replaced 2, cut 4. Look it up. But hey go ahead continue to be the Blink-182 white knight, keep searching for random people who weren’t happy with a middling arena performance and berate them for having a differing opinion. that’s a VERY normal thing to do🤡
Cutting the setlist up sucks, cutting First Date and One More Time REALLY sucked. But the overall performance, specifically from Tom, with his illness, was not up to the par for a concert at this level. Even when he kind of had his voice early on…it wasn’t great…
Four young girls prepare for a special Daddy-Daughter Dance with their incarcerated fathers as part of a unique fatherhood program in a Washington, D.C. jail.
Directed by Natalie Rae and Angela Patton, DAUGHTERS premieres on Netflix August 14.
@FBuhlersDayOff Music choice was bad but Ridley Scott wouldn't come back for a sequel unless he knew he was cooking. I think they showed just enough, it's more of the same but a slightly different era. I feel like Denzel and Paul Mescal are going to be standouts
Director Jane Schoenbrun continues to just ‘get it’ - from internet culture in WE’RE ALL GOING TO THE WORLD’S FAIR and now the nostalgia of 90’s broadcast TV in I SAW THE TV GLOW, elevating these cultural concepts to new thought-provoking heights.