Dipix Tepes

⚠️
pura controversia aqui...

[Dipix Tepes @DipixTepes]

@therealbuni Vieja buta de mierda

[Ozymandias𓆏 @0zmnds]

Gustave Doré

[Max Powers 4.0 @Sumercenator]

🎃

[Dipix Tepes @DipixTepes]

@eldiariolapampa No se vende... Sin embargo Lazaro es dueño de la mitad de la patagonia...

[Dipix Tepes @DipixTepes]

@madurelme Que mierda es eso boludo jsjjsja

[Dipix Tepes @DipixTepes]

@fac1222 @VoxedPosting De todos los idiomas, eligió el de la verdad

[Renunciá Riquelme @fac1222]

@VoxedPosting Porque cuando ven a una linda se activa la competencia intrasexual femenina, la linda les despierta inseguridades, en cambio la fea no, su existencia es ideal para el resto de las minas

[Dipix Tepes @DipixTepes]

@JustRaging01 Naggardly

[INDIGNADO @indignadoxd]

¿Cuántos coinciden con Bukele? ✋🏻

[El Guarromántico @Guarromantico_]

Estoy cerca.

[Dipix Tepes @DipixTepes]

@HippiesConOsde Primero: muy joven no es que digamos,va pa los 40.
Segundo: artista no, empleada publica, le pagaban con impuestos de la gente.
Tercero: a quien le va ganar esa? Jsjsjs dejen la falopa jsjsjs

[James Lucas @JamesLucasIT]

They say the devil hates his servants the most.

Here's why...

This painting is called Allegory of Satan, or Lord of the World, painted around 1900 by the Polish artist Ludwik Stasiak. It is not the devil you might expect. There are no flames, no chaos and no horns leering out of the dark. Stasiak painted something far more unsettling.

Here the devil sits enthroned like a ruler of the world, with a sardonic grin on his face, surrounded by the symbols of earthly power: wealth, ambition, domination. Evil, he suggests, never arrives as something horrifying that we instantly reject. It arrives as something attractive. It looks like success. It looks like money, and status, and control. It looks like everything the world tells us to want.

And that is what makes the painting feel so modern, more than a century after it was made. Stasiak was working at the turn of the twentieth century, an age obsessed, like ours, with progress, fortune and getting ahead. And he was warning that the most dangerous evil is not the kind that frightens us, but the kind that seduces us, the kind we serve willingly because it promises to make us powerful.

Which brings us back to the old saying: "the devil hates his servants the most." Look closely at what lies beneath his throne. Scattered at its base are the skulls of the powerful, still wearing their crowns and their helmets in death, the very people who traded their souls for money and power. And he sits above them, amused, because the joke is on them. This is why the devil hates his servants the most: he does not respect them for serving him, he despises them for it, because they handed over the only thing that ever mattered in exchange for things that rot.

It's my favorite depiction of Satan because Stasiak did not depict a devil we would run from, he painted a devil we would kneel to, and follow, and call our lord, mistaking our own chains for a crown. And I think that comes much closer to the truth. The artist was giving form to a warning as old as the Gospels themselves:

"No one can serve two masters. You cannot serve both God and money."

[Juan Doe @jdoedoe101101]

La portada de la revista Time en abril de 2006 y en septiembre de 2026. Notan alguna diferencia? Así como intentaron instalar que "el cambio climático destruirá a la humanidad" ahora pusieron a todo el aparato a querer instalar que "la IA destruirá a la humanidad".