@myouiv unnie! Eh, seru banget dengernya doang, gak kebayang gimana kalo lakuinnya langsung, pasti seru banget. 😩 Kebetulan aku habis selesaiin solo schedule, terus mau lanjut prepare buat comeback project after 10 years! Huhu, nervous..
@caeyoeni aha! Found one unnie here. 😛 Halo, unnie! Gimana persiapan menggebrak panggung d̴a̴n̴g̴d̴u̴t̴ ̴a̴c̴a̴d̴e̴m̴y̴ yang semakin hari semakin deket aja?
I personally think that the best shots came from when I stopped caring about the shots; stopped adjusting, stopped second guessing, stopped trying to give them something. Just existed for a little while. Funny how the camera always knows when you finally mean it.
This was one of those shoots where everything on the surface reads gentle. White lace, barely-there straps, tulle that settles before you can name the movement. Hair was still wet when we started and nobody touched it, which I liked! Xx, 𝐰𝐚𝐤𝐞𝐦𝐚𝐤𝐞.
𝐑𝐄𝐃 was never meant to whisper.. / Close enough to a cherry stain that people might mistake it for something dangerous. The kind of color that stays in your head a little longer than it should.
I've always thought the most interesting tension in fashion lives somewhere between softness and restraint. Not the kind of restraint that feels cold or calculated, but the kind that comes from knowing exactly how much of yourself to offer and choose to stop just before the line.
So, ㅎㅎ... please go watch it if you can. Come see it on the big screen, experience it the way it was meant to be seen. I promise it will be worth it. See you at the theaters, lovely beings! 🤍
After all this time, we're finally here and I still can't wrap my head around it. Filming this back in the past few years feels like a whole different lifetime ago, but at the same time, I remember it so vividly, everything.. like, every single of it.