Droste Effect Mag

Art Magazine on paper for format-specific artists projects and online platform for international art news and essays

[Droste Effect Mag @DrosteEffectMag]

We are proud to present a new issue of Bulletin dedicated to Ivana Spinelli's artwork. Visit her solo show at @GALLLERIAPIU in Bologna for @artefiera 2020

Read [free] Bulletin no. 22 – Semiotic Circuits by Elisa del Prete at https://t.co/LaqBsK7FyY
#ArteFiera2020

[Droste Effect Mag @DrosteEffectMag]

Just posted a photo @ Artissima Fair https://t.co/42PW3RfFWH

[Droste Effect Mag @DrosteEffectMag]

Just posted a photo https://t.co/mcDNzGgNGD

[Droste Effect Mag @DrosteEffectMag]

Just posted a photo @ Biennale Gherdeina https://t.co/8zXWyFj1K0

[Droste Effect Mag @DrosteEffectMag]

Just posted a photo @ Biennale Gherdeina https://t.co/O6a6351hZ3

[Droste Effect Mag @DrosteEffectMag]

This edition of the @la_Biennale was delayed by one year due to the world health emergency. The last time it was postponed due to exceptional circumstances was in 1944 …
Read more at https://t.co/w1jxUeWDpX

Here Simone Leigh, 2022 Golden Lion winner, at the US Pavilion

[Droste Effect Mag @DrosteEffectMag]

The 59th International Art Exhibition of the Venice Biennale is finally open: this edition was delayed by one year due to the world health emergency. The last time the Biennale was postponed was during the Second World War (…) https://t.co/w1jxUeWDpX

[Droste Effect Mag @DrosteEffectMag]

A Meditation on History: Art Exhibitions in Shanghai in 2000

Art history is constantly passivating: a kind of depicted framework painted into the cultural and social environment following our expectations. […]

https://t.co/gseomkpJkV

[Droste Effect Mag @DrosteEffectMag]

Art City Bologna presents a few innovative features, including the creation of a new art space cluster outside of the city, in the nearby San Lazzaro, where three contemporary art spaces decided to give themselves a collective identity:
https://t.co/wZ4QoUlorr

#ArtCityBologna

[Droste Effect Mag @DrosteEffectMag]

#waitingforartcity A Century of Drawing in Italy is curated by Claudio Musso, author of our Bulletin #23 on artist @ivanaspinelli, also included in the show at Fondazione del Monte.
Read Claudio Musso's essay https://t.co/Fq68bszPXa
2nd image: Margherita Morgantin, Ivana Spinelli

[Droste Effect Mag @DrosteEffectMag]

35 years after Gordon Matta-Clark created his piece, the @whitneymuseum, in collaboration with the @HudsonRiverPark Trust, is developing its own Day’s End in a neighborhood that has changed dramatically since the 1970s.

Read more at https://t.co/GDI7KxFQO9

[Droste Effect Mag @DrosteEffectMag]

The @whitneymuseum in collaboration with the Hudson River Park Trust is developing a remaking of "Day’s End" by Gordon Matta-Clark.

Unlike the artwork that inspired it, this new public sculpture is institutionally approved and will be permanent:

https://t.co/GDI7KxFQO9

[Droste Effect Mag @DrosteEffectMag]

As a temporary solution to the Museum's forced closure, MAMbo converted its space into an artist residency.

⬇️ Rachele Maistrello, Vincenzo Simone, Francis Offman, Bekhbaatar Enkhtur's studios.

Thanks to @MAMboBologna for kindly organizing our studio visit.
#nuovofornodelpane

[Droste Effect Mag @DrosteEffectMag]

As a temporary solution to the Museum's forced closure, MAMbo converted its space into an artist residency
⬇️ Allison Grimaldi Donahue, Eleonora Luccarini, Massiel Leza, Giuseppe De Mattia's studios
Thanks to @MAMboBologna for kindly organizing our studio visit
#nuovofornodelpane

[Maysles Documentary Center @MayslesCinema]

Read more about THE MANY COLORS OF THE SKY RADIATE FORGETFULNESS in @DrosteEffectMag here: https://t.co/613aSxAWby

“In Magdy’s film, confusion and ambiguity reign: the city appears to exist in a flux between construction and destruction...” (12/20)

[Droste Effect Mag @DrosteEffectMag]

The second in a series of excerpts from their archive, The Lecture Agency presents documents from Salvo’s art practice in the 1960s and 1970s.
Find them at this link: https://t.co/RG4RvAViFS

Salvo, Benediction of Lucerna (1970/1975), photograph, courtesy of FER Collection, Ulm.

[Droste Effect Mag @DrosteEffectMag]

A 1970 excerpt from artist Salvo's archive, chosen and introduced by The Lecture Agency, a research platform dedicated to the study of performance lectures:
https://t.co/RG4RvAViFS

#Salvo #archiviosalvo #TheLectureAgency #TLA #performancelecture #1970 #selfportraits

[Droste Effect Mag @DrosteEffectMag]

"Ryan Gander swims upstream, avoiding by-now-common reproductions of human experience of reality in artificial digital media." Read our interview with the UK artist at https://t.co/2DT1i7RYrA

"Equivalent Economies and Equivalent Means” (2018).
Courtesy the Artist and GB Agency.

[Droste Effect Mag @DrosteEffectMag]

We interviewed UK artist Ryan Gander, who talked about the reality of the virtual in his work, and how it reflects on what doesn't exist – yet.

Read it at https://t.co/2DT1i7RYrA

#RyanGander #animatronic #virtualreality #artinstallation #interview #animatron

[Droste Effect Mag @DrosteEffectMag]

Art Workers Italia was founded during this COVID-19 crisis to claim fair recognition and compensation for art workers in Italy. This is their manifesto: https://t.co/NQiDEb6Z1o

#ArtWorkersItalia #AWI #manifesto #COVID19 #crisis #contemporaryart #artworkers #pandemic

[Droste Effect Mag @DrosteEffectMag]

The following manifesto was first published by [ART WORKERS ITALIA] on Labor Day as a response to the current crisis due to the COVID-19 pandemic. Learn how to be part of the project:

https://t.co/NQiDEb6Z1o

#ArtWorkersItalia #AWI #COVID19 #artworkers #workersrights #LaborDay