Hello, and welcome to Otomachi Otomo! We're a 35-strong team of creatives working to bring you an original album to celebrate Una's 10th birthday!
To celebrate, we're giving away an Una SynthV VB of your choosing! Simply like, follow, and repost this for your chance to win!
@lucielellis_ Don’t get me wrong, having a good recording is necessary, but layering and mixing takes vocals a long way (in a mix, not live). Speaking from vocal synth tuning I’ve done, but the main vocal on its own always sounds weird. Maybe you’re too harsh on yourself ¯\_(ツ)_/¯
How do some producers do it all? MV editing is fulfilling and painful at the same time. It’s cool figuring stuff out, but I feel like I’m losing time on making music. Commissioning my concepts seems best. And I’m just ignoring the part of my brain that wants to make the art 😗🎶
We're officially ONE MONTH away from @GUMANIALBUM 👀
Please enjoy this preview of my song "Doubts", which appears as track 6 on the album. It is very heavily influenced by early Paramore, the "Riot" era especially.
#Vocaloid#GUMI#Megpoid#vocarock
Me: Alright, I need to lock in and get this mix done.
My brain: So how bout we pick up that bass across the room and come up with something crazy that won’t be remembered? 🙃
To any vocaloid producers that see this. What’s the most amount of vocal tracks you’ve ever put in a song?
I’m at 50+ on this one I’m working on and I’m wondering where I left my sanity.
@levidawn10 Same voice bank, different settings in synthV, different mixing and effects from the main vocal once exported from synthV to push them back in the mix.
@levidawn10 There’s probably something redundant about this but: I build a vocal with 5 layers (main, 2 doubles, harmony, and up or down an octave). Then bg vocal to emphasize certain lyrics, usually 3 layers (like before but no doubles). Multiply by different styles/tones in the song.