#ThankYouNurses 👏🏻 #nationalnursesday
I don’t know who made this but it’s Fantastic &
it says what we already know you and every doctor & healthcare worker are our Heroes.👏🏻
We are in awe of your dedication and commitment to save lives though your own lives are at stake.👏🏻
The theme to ‘The Greatest American Hero’ hit number 2 on the Billboard charts in 1981.
What was the songname, who sung it and when are they remaking this show!!!???
There’s nothing like celebrating a milestone with friends, family, and cake to cure a case of the Mondays. 🎂 63 years and 16,000 episodes later, we’re still going strong thanks to all of you! Thank you so much for watching. 😊 📺 #GH#GeneralHospital
"Nothing's Gonna Stop Us Now" is Starship's biggest hit, it was written by Diane Warren and Albert Hammond especially for the wedding scene in the film Mannequin (1987). Albert Hammond was inspired by his own life: he had just divorced and was starting a new relationship.
"Jam" was the opening track and the first single from the album Dangerous (1991). The video (directed by David Kellogg) is legendary: Michael Jackson and Michael Jordan play real basketball in a gym and MJ teaches MJ to dance. Jordan later confessed that he was impressed by Michael Jackson's tireless energy on the shoot. It was one of the most hyped collaborations of the 90s.
I have had the great privilege of watching The Flash: Speed of Fate by @T800s_Batcave a reimagining and complete rework of the 2023 movie and… WOW! 🤯
The Flash: Speed of Fate is genuinely one of the most thoughtful reimaginings of a bad movie I’ve ever seen.
What makes this edit work isn’t just removing scenes… it’s understanding why the original film failed in the first place. The forced humour is stripped back, the tone is far more consistent, and for the first time the movie actually feels like it belongs in the same universe as Man of Steel, BvS, and Zack Snyder’s Justice League.
The rescoring is honestly incredible throughout. Using Hans Zimmer tracks from Man of Steel and BvS in key moments adds real weight, hope, tragedy, and suspense to scenes that originally felt completely hollow and forgettable. Even small details, like adding proper Batmobile sound design to Batman’s Batcycle sequences, help restore a sense of power and presence that the theatrical version constantly undermined.
Most importantly, the characters are finally treated with respect.
Batman actually feels like Ben Affleck’s Batman again instead of a parody of him. The colour grading feels deliberate and cinematic instead of oversaturated for the sake of looking “fun.” A lot of the awful CGI moments that completely destroyed immersion in the theatrical cut have either been removed or reworked so the film can actually breathe emotionally without constantly collapsing into self-parody.
Obviously, no edit can completely erase the DNA of what was originally shot, and there are still rough edges here and there because of those limitations. But that almost makes the achievement more impressive.
This edit takes a film that I genuinely considered a disgrace to these characters and somehow transforms it into something meaningful, coherent, and actually worth sitting down and watching for two hours.
And unlike the theatrical ending, which felt pointless and forgettable, this version actually finds a way to tie the story back into the Snyderverse with purpose and emotional meaning.
You can feel the care behind every decision.
WATCH THIS EDIT 20th MAY! ⚡️
#TheFlashSpeedOfFate