@nstt_399 - Be Yuki
- Make fetish porn
- "goo goo ga ga, dada"
- Wear intentionally childish clothing
- Cosplay exclusively loli charactes
- Cater to lolicon audience
- People say you're pedo baiting
- SURPRISED PIKACHU FACE
- Threaten to rape a minor
CRAZY TIMES!!!
🚨BREAKING: Thousands of men are posting online that they have broken up with their girlfriends for supporting Lindsay Clancy. They state that they can never have children with women who justify her actions.
Seems reasonable to me. What do you think?
Um menino se torna homem quando aprende que mulheres são INCAPAZES de amar pois não possuem alma.
Elas são como animais selvagens em cativeiro, conseguem te tolerar e até demonstrar afeto por um tempo, mas amar, nunca.
ANYTHING THAT WAS EVER ANIMATED CAN NOW BE RE-SHOT
Berserk, 1997, on the bottom. The same frames rebuilt photoreal in 2026 on top. Same composition, same lighting, same blocking - a different medium entirely.
Nobody remade this. Someone re-shot it, frame for frame, from footage that already existed.
Here's why this format works so well
The original is already a perfect storyboard. Every shot in an anime was composed by a director decades ago -framing, camera angle, light direction, timing. You're not inventing anything, you're inheriting a finished shot list from people who knew what they were doing
Side-by-side is the entire hook. Split-screen with the year stamped on each half does all the work. The audience isn't asked to be impressed by AI, they're just shown a before and after and left to react
Recognition beats novelty. A random photoreal knight is a nice image. Griffith in that exact frame, in that exact light, is a memory being rendered - and that's what makes people stop
Depth and pose come free. The source frame gives you composition and body position without a single prompt describing them. You only have to define the look
The gap between styles is the payoff. Cel-shaded flat colors versus armor with real metal reflections -the further apart the two mediums, the harder the comparison lands
The part nobody mentions
This format is already a business. The cartoon-to-live-action trend broke out on Douyin months ago, and the people who brought it west first are clearing five figures a month on it — one creator running Tom and Jerry rebuilds pulled $11,900 last month on roughly $50 in monthly costs.
Warner Bros spent $136,000,000 putting one of those cartoons in theaters. The format costs a subscription and a weekend now.
Worth being straight about
• Berserk belongs to its creator's estate and studio — this works as a demonstration and a tribute, but publishing it as your own IP or monetizing it directly is a different conversation • The technical possibility arrived way ahead of the legal framework, and that gap is still very much open
Studios spend years deciding whether a live-action adaptation is worth the budget. Someone just did a scene of one over a weekend.