Ma(⚬⃔⚬ℕ⚬⃔⚬)do (∞%)➰🐺

[Ma(⚬⃔⚬ℕ⚬⃔⚬)do (∞%)➰🐺 @Eleventhhour94]

@SuperButterBuns I see what you did there 😅😂👍🏽

[Backrooms @BackroomsMov]

It’s massive in there. BACKROOMS – EVERYTHING MUST GO is now playing in theaters nationwide, featuring 16 minutes of brand new footage from director Kane Parsons. Get tickets: https://t.co/WB4pSsaY6q

[Nostalgia @nostalgiaa]

Do you remember all of them

[Buns @SuperButterBuns]

My wife bought me this

[Daily Gongaga @DailyGongaga]

Me? Gongaga

[𝕄𝕒𝕟𝕦 ✨💖 @manuelaellela]

Hey, Sony,

Cloud and I just wanna have a talk 😊

[🌴🌺Alola🌺Family🌺🌴~🥀FRIEDE CAP MOURNING ERA🥀 @Alola_Family]

Ash as poor Kukui and everyone worry because he was late for the battle 💀

It was so cool seeing Hau ordening Decidueye to avoid the Z-move! Hau my sweet son 🤧

[후추.. @pokehunt_er]

어제 나몰빼미랑 놀았음... //
나몰빼미 이로치 ㄹㅈㄷ 민트코어 🩵

[🌴🌺Alola🌺Family🌺🌴~🥀FRIEDE CAP MOURNING ERA🥀 @Alola_Family]

Rowlet get his Decidueye hoodie 😭🫶💚

[cinesthetic. @TheCinesthetic]

Daft Punk’s score for TRON: LEGACY (2010) is one of the greatest film soundtracks of the 21st century.

The fusion of electronic music and a full orchestra gives the film a scale and identity unlike anything else.

[James ⊬ APE @Tyler_yoseph]

Absolutely the greatest song to ever exist

[Maximilian Dood @maximilian_]

Damn. Having a physical game collection is so sick. Owning things is great. Like really great.

[🌴🌺Alola🌺Family🌺🌴~🥀FRIEDE CAP MOURNING ERA🥀 @Alola_Family]

Rowlet family teach him Feather Dance 🪶 and the little owl is fire up 🔥

[후추.. @pokehunt_er]

동그라미 두개 보실분

[Nerdrotic @Nerdrotics]

A sober guy walks into an Open Bar...

[Heel vs Babyface @heelvsbabyface]

TOTAL
BALD
VICTORY

[Island | UltimaWielder @ArtemaSeeker]

Kingdom Hearts Disc & Cartridge

[cinemoments @TheCineMoments]

In Backrooms (2026), the audio track playing from the caveman cutout when Clark enters the Backrooms is a massive Easter egg from the actual 1977 NASA Voyager Golden Record - a looping track of greetings in 55 different languages, originally sent into space to communicate with extraterrestrial life.

ASYNC planted these prehistoric caveman-shaped cutouts as a trap system. The looping human voices are meant to bait the Still Life entities roaming the maze into approaching and destroying the cutouts, which then triggers a gas outbreak designed to knock them out for research. Clark doesn't get lured as an entity though, he stumbles into one of these traps by accident, mistaking the voices for actual humans somewhere in the maze.

The choice of audio is the most interesting part though. ASYNC could've used anything to bait these things, but they specifically picked a record that was made to communicate with alien life in outer space. That's not a coincidence. It's the film's way of saying ASYNC sees whatever is living in the Backrooms as something so far beyond human understanding that the only reference point they had was how we'd try to talk to something from another planet

[CrystAAHHL🔜 Otakuthon @CrystAAHHL]

SORA 💀💀💀
I'm playing KH DDD for the first time right now and this part KILLED ME 🤣