"NASHVILLE immerses, overwhelms, and humbles me. It is a paragon of an ideal cinema."
Read @Eng_Matthew's expansive personal essay on Altman's grandest film for our ongoing Reverse Shot Does It Again symposium:
https://t.co/IoLuCcb7EQ
"LAST SUMMER is not so much a provocation that those who know only of the logline and Breillat’s career might be led to believe. This is a master class in emotional precision."
@Eng_Matthew on Catherine Breillat's LAST SUMMER.
https://t.co/E9F8ZEwHkv
"Older actors could have made these characters and their bond more emotionally resonant and credibly worn." @Eng_Matthew on Garth Davis's sad midwestern sci-fi FOE: #NYFF61
https://t.co/fLqEWGP3zg
When @SightSoundmag asked me last week to pen an obituary for Terence Davies, I was decimated. I also knew nothing I wrote in the space allotted could do justice to the films or to the human being. It was an honor to have lived with his cinema.
https://t.co/S8j6NqXiTX
"NASHVILLE immerses, overwhelms, and humbles me. It is a paragon of an ideal cinema."
Read @Eng_Matthew's expansive personal essay on Altman's grandest film for our ongoing Reverse Shot Does It Again symposium:
https://t.co/IoLuCcb7EQ
A highlight of my day/year/life: walking by British Museum and realizing man with shopping cart crossing street is Mike Leigh. Spoke to us for five mins. He’s in the middle of editing his next film but doesn’t know what to call it. Almost ascended when he said “Katrin Cartlidge.”
I have spent the past six months watching, researching, thinking about, and standing in perpetual awe of the late, great Mary Alice. For @Hazlitt, here is a reconsideration of her formidable career, immovable presence, and unwavering devotion to her craft: https://t.co/C2P6Dkhm9s
PAST LIVES is "about two people contemplating the possibilities of what could have been and what still might be, but it is also about the electric charge and covert forces that draw two bodies and souls together." Review by @Eng_Matthew:
https://t.co/4JnNQWBOqz
"The raw material of Reichardt’s film is the daily, soul-sucking minutiae that comes with choosing and devoting oneself to the artist’s life in a country that cannot nor will not sustain such endeavors." @Eng_Matthew on SHOWING UP, opening today!
https://t.co/0PGvYgBQJg
The Dardennes return with a tale of two Cameroonian teenage refugees posing as siblings to remain in Belgium in the persuasively angry TORI AND LOKITA. Opens today. Review by @Eng_Matthew
https://t.co/9PnqTuI238
For @reverse_shot, I reviewed Babak Jalali's hypnotic and beautifully crafted Fremont, which opened @MovingImageNYC's First Look Festival and hopefully finds distribution real soon: https://t.co/rctbCH3YWe
For @NotebookMUBI, I wrote about some exceptional Sundance dramas that I adored (All Dirt Roads Taste of Salt, Passages, The Starling Girl) and some I'll be all too happy to forget: https://t.co/0cXopLEyCr
And for @reverse_shot, I wrote about a range of Sundance documentaries, including Little Richard: I Am Everything, The Disappearance of Shere Hite, Going to Mars: The Nikki Giovanni Project, and A Still Small Voice: https://t.co/eHF8AFEb30