People keep asking if I still dance. I never stopped moving. I learned to move at a pace my body and brain could sustain, and from that pace I saw what dance was missing. @enterKINEX is what we built from it.
Admission open now.
Licensing opens in 2027.
10 years ago this choreography carried me across Europe. A dance disappears when you finish it, but this one refused. A decade later it doesn't survive on memory alone. Cold Water is @enterkinex KXR-0006. One dancer, 56.5 seconds, sealed. Movement has owners. This one is mine.
A decade ago this one escaped too. Strangers did my choreography like they created it and passed it on. Things people love deserve to be kept, not just remembered. Shabba Madda Pot, immortalized as a @enterkinex record. Good things should last. Now this one can.
Culture runs on choreography, but its rights were never clear. Now they are.
Featuring the @MadeinNY New York Music Month record choreography by @SeikyStephanie
Admission open now, licensing opens 2027.
We spent years watching choreography power the culture and then get treated like it fell from the sky. KINEX is the infrastructure we built, so the people who create the movement hold the center of the deal. Movement has owners, and admission is open.
Choreography is copyrightable work. It never had licensing infrastructure of its own. Until now.
MOVEMENT HAS OWNERS. KINEX is the movement licensing marketplace, a @dancamedia platform, built by the choreographers who needed it.
Licensing opens in 2027.