When Tony Gilroy created ANDOR, and Beau Willimon wrote the Emmy nominated episode, ๐๐ฏ๐ฆ ๐๐ข๐บ ๐๐ถ๐ต, were they preparing us for the rigors of the WGA & SAG-AFTRA strikes?
We hit the breaking point, now there is only the rebellionโฆ
โฆand this speech.
"Knocked" is a response to a call for shorts for the August MothershipVT monthly film fest. Directed and edited by me, it features the voices of myself and co-writer and -producer @JenniferGennari, and family members. Shot on iPhone, in Porters Point, VT.
https://t.co/e2QqwkSThQ
The previous writersโ strike gave rise to unscripted โ read: reality โ tv, which continues to this day. I canโt be the first one to wonder what this strike will enable. Thoughts?
Aperiodic tiles from @MoMath1 as fun on an Amtrak seat tray. Many thanks to @timchartier for this gift, and for hosting my talk on โMath for the Movies โ Jurassic Parkโ last night at the museum in their โStarring Mathโ series. Check their site for more!
Math for the Movies: Iโm giving an in-person talk at โฆ@MoMath1โฉ Tuesday the 20th at 6:30Pm EDT, based on my VFX experience on Jurassic Park. If youโre in NYC, drop in! https://t.co/9owzmHpAvz
Jessie Maple, who is considered the first Black woman to write, produce and direct a feature-length independent film, broke through many barriers during her multifaceted career. She has died at 86. https://t.co/tNpgvXWlfs
@OnlyFilmMedia I was working on a T-Rex / raptor shot in my office at ILM, on a 21โ monitor and thought, this is going to be 40 feet wide on movie screens all over the world - this better be good. Giving a talk at @MoMath1 about JP on 6/20.
Whatโs the biggest challenge novelists face when switching to screenwriting? There are some key and important differences between a screenplay and a novel. https://t.co/397TtXqynO #scriptchat#amwriting