Ferran Brooks

Madman, writer, filmmaker & creative artist @Festival_Cannes Panavision Prize

[Ferran Brooks @FerranBrooks]

Truly grateful to share that NEON FLESH has been selected as a FINALIST in the Music Video – Electronic + EDM category at the inaugural @chromaawards

[Ferran Brooks @FerranBrooks]

Motion changes everything.

@PixVerse_ joins GENERA 72 Film Challenge as a Technological Creative Partner, helping creators explore AI video generation, cinematic movement and new audiovisual workflows during the challenge.

Selected creators will receive #PixVerse creative accounts, credits and support packages to help them create within the 72-hour format.

Strong works may also be considered for direct Creative Partner Program opportunities.

72 hours to create.

No excuses. Just images moving forward.

#GENERA72 #PixVerse #AIVideo #AIFilm

[Ferran Brooks @FerranBrooks]

Motion changes everything.

@PixVerse_ joins GENERA 72 Film Challenge as a Technological Creative Partner, helping creators explore AI video generation, cinematic movement and new audiovisual workflows during the challenge.

Selected creators will receive #PixVerse creative accounts, credits and support packages to help them create within the 72-hour format.

Strong works may also be considered for direct Creative Partner Program opportunities.

72 hours to create.

No excuses. Just images moving forward.

#GENERA72 #PixVerse #AIVideo #AIFilm

[Ferran Brooks @FerranBrooks]

Calling all AI creators, filmmakers, animators, visual artists, storytellers, sound designers and digital explorers: #GENERA 72 Film Challenge is open.

72 hours to create an audiovisual piece using digital, generative and AI tools.

Participants will have access to prizes, creative tool accounts, credits, subscriptions, visibility opportunities, cinema exhibition for selected works, and direct opportunities such as Creative Partner Program consideration with some of our tech partners.

This is not just a challenge.

It is a launchpad.

#GENERA72 #GeneraVLCIA #AIFilm #AICinema #AIfilm #FilmFestival #FilmChallenge
Thanks to: @synclabs @ElevenLabs @magnific @PixVerse_ @cinesabc #CismaArt #UCV

https://t.co/t1lZBYrs8O
https://t.co/EG20ncfkND

[Ferran Brooks @FerranBrooks]

Character performance is one of the most exciting frontiers in #AIfilmmaking

That is why @synclabs joins GENERA 72 Film Challenge as a Technological Creative Partner.

Their support will help creators work with AI-driven performance, lip-sync and new ways of bringing digital characters to life.

Selected participants will receive creative access and credits, and the challenge will include sync. labs awards for outstanding character performance.

72 hours. One film. Characters that move, speak and perform.

#GENERA72 #SyncLabs #AIFilm #LipSync

[Ferran Brooks @FerranBrooks]

@lefineder That bad [information] must be terribly wrong with its data, when it shows how destroyed or depopulated cities like Valencia have been populated until now for more than 2000 years...

[Ferran Brooks @FerranBrooks]

@krea_ai Yesh!

[Ferran Brooks @FerranBrooks]

This is based on false facts and assumptions and a ridiculous (of course Anglo-Saxon) perspective. Spain, from the time of the Atlantic and Mediterranean expansion of Aragon and Castile, and later with the conquest of America and unification with Portugal, plus regions of Asia and Africa, had a GDP comparable to that of China between 1350 and 1750. Spain was not only the peninsula, but the only country in the history of human kind that has had its own legally closed ocean (The Pacific) for centuries and the first universal currency (The Spanish dollar, for two centuries the most important currency of the USA 1581-1857)

[Ferran Brooks @FerranBrooks]

Proud to be among the creators featured in this anthology from @fairground_tv

What makes this meaningful is not visibility for its own sake, but distribution.

Too much AI-made work still circulates inside AI-native spaces, speaking mostly to people already inside the conversation. This anthology moves in a different direction: into the connected TV and FAST ecosystem, where work can reach broader audiences through the same distribution logic, platforms, and viewing environments as more traditional screen content.

With rollout across 13+ global platforms, and distribution points including Roku, Canela Media, and STIRR, this is more than an online showcase. It is a real step toward audience reach outside the usual AI context.

That is the shift that matters to me: from experimentation to programming, from niche visibility to public exposure, from tool-driven curiosity to work being seen and judged on storytelling, craft, and point of view.

Grateful to be part of it, and to be alongside so many creators helping push this medium into spaces where it can actually meet the wider public.

[fairground.tv @fairground_tv]

This month, over 30 independent AI creators had their films available on television.

Not on social media or an app, but on the same connected TV and FAST channel infrastructure that carries traditional Hollywood content, distributed the exact same way.

This was made possible due to 𝐁𝐞𝐬𝐭 𝐨𝐟 𝐀𝐈: Fairground's series dedicated to the very best of AI filmmaking.

Animation. Science Fiction. Powerful, narratively driven foreign cinema and more.

And for many viewers, it was their first real encounter with what AI filmmaking is actually capable of.

This builds on our recent announcement: the first-ever native placement for AI creator content.

𝐁𝐞𝐬𝐭 𝐨𝐟 𝐀𝐈 is an example of what that infrastructure looks like with real creators inside it.

By the end of the year, the show will be on over 13 platforms globally and we've already green lit Season 2.

A special thank you to Marcin Rossa, Alfonso Castro, Jiaze Li (@DiDi_OKK), TzuJung Lin (@DiDi_OKK), Jakob Söe-Pedersen, Nidal Studio (@nidal_studio), Frank Houbre (@FrankHoubre), DefeiKong, Aaron Liberman (@QualitativAi), Yifeng Wang, Ferran Brooks (@FerranBrooks), Arielko, Digital Da Vincis (@davincisdigital), Axel Schilling, DSTUDIOPROJECT (@D_studioproject), WenYe-Bot (@WenyeBot) & XingXing Liu, John Kelly, Bharat Parmar & The Indie Photographs (@theindiephotos), Wilfred Lee (@wilfredlee), Loïc Ramboanasolo, Exxix, Daniił Vołkaŭ (@machina9000), Nirdeshak Rao (@NirdeshakRao), DrishtiCone Productions, Michele Ranauro, Danny Tseng, Jaio Studios (@jaiostds), Vinod Padmanabhan Vijay Kumar (@vinodpvijay1978), FOID AI Studio, Donovan Marsh (@MarshDonovan), Steve Cholerton, Ronnie Apteker, DRAGON STUDIOS, Sergio G. Navarrete, SnAi Studio (@LucasZhu0879), Pioneer Factory, Jason Bonner, James Lecky, Martin Bradley, Tony Doherty, Paul Duran-Lemos (@cloakofqualia), Marvin Chik and the Taeki Workshop, WAI Studio (@waistudio2025), Toby Hyder, and more for working with Fairground to make this series a reality.

What these creators have made deserves the biggest stage possible. We will keep fighting to give it to you.

If you're an AI filmmaker, Season 2 entries are open now through our Fairground Reimagined competition. Details are below👇
https://t.co/Zf7tSIfKBk

[Ferran Brooks @FerranBrooks]

@fairground_tv Love it! 🤩

[fairground.tv @fairground_tv]

This month, over 30 independent AI creators had their films available on television.

Not on social media or an app, but on the same connected TV and FAST channel infrastructure that carries traditional Hollywood content, distributed the exact same way.

This was made possible due to 𝐁𝐞𝐬𝐭 𝐨𝐟 𝐀𝐈: Fairground's series dedicated to the very best of AI filmmaking.

Animation. Science Fiction. Powerful, narratively driven foreign cinema and more.

And for many viewers, it was their first real encounter with what AI filmmaking is actually capable of.

This builds on our recent announcement: the first-ever native placement for AI creator content.

𝐁𝐞𝐬𝐭 𝐨𝐟 𝐀𝐈 is an example of what that infrastructure looks like with real creators inside it.

By the end of the year, the show will be on over 13 platforms globally and we've already green lit Season 2.

A special thank you to Marcin Rossa, Alfonso Castro, Jiaze Li (@DiDi_OKK), TzuJung Lin (@DiDi_OKK), Jakob Söe-Pedersen, Nidal Studio (@nidal_studio), Frank Houbre (@FrankHoubre), DefeiKong, Aaron Liberman (@QualitativAi), Yifeng Wang, Ferran Brooks (@FerranBrooks), Arielko, Digital Da Vincis (@davincisdigital), Axel Schilling, DSTUDIOPROJECT (@D_studioproject), WenYe-Bot (@WenyeBot) & XingXing Liu, John Kelly, Bharat Parmar & The Indie Photographs (@theindiephotos), Wilfred Lee (@wilfredlee), Loïc Ramboanasolo, Exxix, Daniił Vołkaŭ (@machina9000), Nirdeshak Rao (@NirdeshakRao), DrishtiCone Productions, Michele Ranauro, Danny Tseng, Jaio Studios (@jaiostds), Vinod Padmanabhan Vijay Kumar (@vinodpvijay1978), FOID AI Studio, Donovan Marsh (@MarshDonovan), Steve Cholerton, Ronnie Apteker, DRAGON STUDIOS, Sergio G. Navarrete, SnAi Studio (@LucasZhu0879), Pioneer Factory, Jason Bonner, James Lecky, Martin Bradley, Tony Doherty, Paul Duran-Lemos (@cloakofqualia), Marvin Chik and the Taeki Workshop, WAI Studio (@waistudio2025), Toby Hyder, and more for working with Fairground to make this series a reality.

What these creators have made deserves the biggest stage possible. We will keep fighting to give it to you.

If you're an AI filmmaker, Season 2 entries are open now through our Fairground Reimagined competition. Details are below👇
https://t.co/Zf7tSIfKBk

[Ferran Brooks @FerranBrooks]

@ceciarmy La primera referencia a la papa frita es en documentos españoles y sobre un banquete preparado en 1629 por mujeres de militares españoles de un presidio del futuro Chile. Por lógica: el aceite de fué llevado allí por los Españoles (Olivos 1560) y la Papa era Andina, o sea local.

[Ferran Brooks @FerranBrooks]

@starks_arq Hi I DM you ;)

[Ferran Brooks @FerranBrooks]

@onlmaps Map of former Spanish, Castille, Aragon and Habsburg territories - you are welcome ;)

[Ferran Brooks @FerranBrooks]

@FoundationDads Spanish Empire lasted for near 700 years since the origin (Aragón mediterranean expansion and Castilla Atlantic and African expansion) to the loose of african colonies.

[Mohamad Safa @mhdksafa]

I don't think people understand the gravity of the situation as the UN is preparing for possible nuclear weapon use in Iran.

This is a picture of Tehran. For you uneducated, untraveled, never-served, warhawks licking your chops at the thought of bombing it. It's not some low population desert. There are families, children, family pets. Regular working class people with dreams. You're sick to want war.

Tehran is a city of nearly 10,000,000 people. Imagine nuking Washington, Berlin, Paris, London, or beyond, bombed with nuclear weapons.

I gave up my diplomatic career to leak this information. I suspended my duties so as not to be part of or a witness to this crime against humanity, in an attempt to prevent a nuclear winter before it is too late.

Yesterday, nearly ten million people protested “No Kings” in the United States. The possibility of the use of nuclear weapons must be taken very seriously. It's dangerous. Act now. Spread this message worldwide. Take the streets. Protest for our humanity and future. Only the people can stop it. History will remember us.