I scrolled Netflix for about 3 minutes this afternoon, and there was no sight of it. I assumed I got the dates wrong because Netflix wouldn't bury an awards contender like #ThePianoLesson on its opening day.
It's on there, though.
Why does Netflix sabotage their movies?
If you have any friendships that you're passive aggressively trying to end, just invite them to go see #Megalopolis . Takes about 140, but it's sure to do the trick.
Wow, it's unfortunate how many people are refusing to acknowledge the strengths of #JokerFolieADeux. Joker 2 is ripe with themes of how influencers' own problems corrupt those who are most vulnerable in society. Paired with bold and unapologetic musical numbers, this was a win.
If you need another example of how streaming has warped excitement within the film community, a crime/comedy with Brad Pitt and George Clooney came out last week, and its, at best, the third biggest topic of conversation.
There hasn't been a bigger overreaction in the film community than when Tenet came out and people claimed Nolan made soulless films that struggled to create emotionally rich characters.
Never seen a movie that so clumsily executes its first hour to eventually arrive at a pretty exciting third act like #BlinkTwiceMovie does. The reveal provides satisfactory answers to what's been going on, and the social commentary works, but its a boring journey up to that point
The two best coming of age movies in the past five years. I love how one is direct and straightforward, while the other is wholly unique and tackles a familiar message through unfamiliar means
Wow, so #TrapMovie doesn't just have a lazy nonsensical plot, but it is one of the worst made movies of the year. It feels like they just went with the first take of every scene, making dialogue feel awkward. The longer it went on, the more I wanted it to end