Cannot overstate how deeply insidious this is, especially considering that we recently lost D’Angelo (a true artist who revolutionized the very genres that “Sienna Rose” is a stolen generic ass patchwork of)
“Sienna Rose” is a modern iteration in a long history of Black artists being economically exploited and discriminated against, in addition to exemplifying the cultural scourge that is “ai art”
stellan skarsgård saying “in the cinema where the lights go down and you share a pulse with some other people, that’s magic. cinema should be seen in cinemas.” #GoldenGlobes
ai in art is the absolute worst application. i’d rather see a child’s doodles than ai. you can use it as a tool for eliminating rote tasks, but it should have no influence in the creative decision making process. my humble luddite two cents.
“I’ve lived with Mary Shelley’s creation all my life,” del Toro tells Tudum. “For me, it’s the Bible. But I wanted to make it my own, to sing it back in a different key with a different emotion.”
Guillermo del Toro refused to make FRANKENSTEIN with too much visual effects:
"I want real sets."
"I don’t want digital. I don’t want AI or simulation. I want old-fashioned craftsmanship. I want people painting, building, hammering, plastering."