Framework Now

Framework: The Journal of Cinema & Media is a peer-reviewed, international journal published biannually by @WSUPress

[Maxwell Paparella @44getting]

"A cinephilic hymn about the built environment more so than the projected image, about the vanishing sense of one's home more so than the escapism offered by the silver screen."

PICTURES OF GHOSTS opens today @FilmLinc. I reviewed it for @ScreenSlate https://t.co/Wna3CCc4zl

[Velvet Light Trap @VelvetLightTrap]

🚨 DEADLINE EXTENDED🚨

The Velvet Light Trap #95: Media Values

See CFP below for details

Submissions due by February 26th, 2024

https://t.co/9hX2oCiOVx

[Framework Now @FrameworkN]

"To audiences today, the film’s antics may seem tame and naughty rather than obscene, blasphemous, or heretical."—Angelita Graham, "Pasolini and the Queer Lens: Il Decameron/The Decameron" in Framework 64.1, Spring 2023, available on Project Muse or via https://t.co/48WMPCfB9C.

[International Documentary Association (IDA) @IDAorg]

This week's #DocOfTheWeek is ‘The Americans’ by Director Hyunsoo Moon. For decades, refugees have begun their journey to the American Dream at a meatpacking plant in Storm Lake, Iowa. Learn more and donate today ➡️ https://t.co/hu80bQZdW2

[Hippodrome Silent Film Festival @HippFest]

Online event reminder!💻 Find out more about #FrancesMarion, the Oscar-winning genius who wrote the best films for stars such as Mary Pickford, Lillian Gish and more. Hosted by @silentlondon's @PamHutch, clips accompanied by @mikenol659! Go forth and book: https://t.co/ofjKz6coyl

[UCLA Film & Television Archive @UCLAFTVArchive]

Sat 1/27: “Unsettling Landscape: Experimental Films by Southeast Asian Women Filmmakers”

These short works critically engage with questions of land, landscape and the forms of mediation that have been used to capture their image: https://t.co/0NqNbebVpp
Co-presented by @UCLACSW

[Framework Now @FrameworkN]

Nicole Bonino and Hiromi Kaneda, "Reclaiming Identity: The Cinematic Activist Journey of Afro-Argentinian Director @WisnyDorce and His Film Production Company @BlackExistencia" in Framework 64.1, Spring 2023, available on Project Muse or via https://t.co/48WMPCf3k4.⁠

[Framework Now @FrameworkN]

Sima Kokotović, "Archival Film Practice Behind Off Frame: Unravelling Cinematic Solidarities in the Palestinian Struggle for Liberation"⁠
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From Framework 64.1, Spring 2023, available on Project Muse or https://t.co/48WMPCfB9C.

[Cinema Rediscovered @CineRedis]

✨SAVE THE DATES for the 8th edition of Cinema Rediscovered bringing great films back to the big screen @wshed and venues in and around #Bristol Wed 24 - Sun 28 July 2024.

Sign up to our newsletter for updates:
https://t.co/ZlE2OSNCtO

[PEN America @PENamerica]

Happy New Year! Applications for our 2024 Emerging Voices Fellowship—a mentorship program for early-career writers from communities that are traditionally underrepresented in the publishing world—are now open! To find out more information and apply, visit: https://t.co/WDV5qi63KI

[Framework Now @FrameworkN]

Dossier: Pier Paolo Pasolini’s Centenary Retrospective: Film Culture in Action, in Framework 64.1, Spring 2023, available to read on Project Muse or via https://t.co/48WMPCf3k4.⁠

[Women+FilmHistory @WFHInetwork]

Happy New Year!! Here’s to more feminist film work in 2024!

[International Documentary Association (IDA) @IDAorg]

UCI Intellectual Property, Arts, and Technology Clinic has submitted an amicus brief on behalf of @Kartemquin and IDA challenging the constitutionality of prohibiting the breaking of encryption on digital media covered by fair use. Read more➡️ https://t.co/nxwoiL4Vkw.

[Ragged Cinema @raggedcinema]

In @FrameworkN we theorised how cinema might be utilised to develop ‘alliancial thinking’ & alliance building. It’s been amazing, therefore, to see such alliances being forged in practice. Here’s a new report from @semlaccu on the @FestCineHabana workshop. https://t.co/k4B1lwByAh

[Framework Now @FrameworkN]

Jim Dingeman, "'You Cannot Continually Inflict': An Interview with Saadi Yacef"⁠ in Framework 49.2, available from @wsupress or on https://t.co/48WMPCf3k4.⁠
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Still from The Battle of Algiers (Gillo Pontecorvo, 1966); Saadi Yacef is second from left⁠

[Ragged Cinema @raggedcinema]

Super-delighted that the films we’ve been helping to develop over the last year will be screening in Cuba this week, alongside some amazing work. Congratulations to all the filmmakers involved - from Cuba, Catalunya and Scotland!

[Ragged Cinema @raggedcinema]

Over the last year we’ve been exploring how feminist activists in Cuba, Catalunya and Scotland might utilise no-budget filmmaking to develop creative conversations at distance. Here’s a Spanish language report from our recent workshop in Matanzas. https://t.co/LIQNU1Vrv2

[Framework Now @FrameworkN]

"If cinephilia now has an immediate and useful purpose, it might well be to turn to the cinema as a 'lesson' in time..."—Laura Mulvey, "Some Reflections on the Cinephilia Question"
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Framework 50 available from @wsupress or on https://t.co/48WMPCf3k4.⁠

[NO EVIL EYE CINEMA @noevileyecinema]

🚨ANNOUNCEMENT 🚨

NEEC PRESENTS: CINEMATIC INTERVENTIONS TO FREEING PALESTINE & THE GLOBAL SOUTH, part I of an ongoing rapid-response virtual symposium aimed at decolonizing film in real time.

DATE: Sunday Dec 17th 📅
TIME: @ 11am EST 🕒
REGISTER 4 FREE: https://t.co/vdkZY3nNLD

[Kate Saccone @ks2956]

The deadline to submit proposals for the @EYE_film conference is this Friday!

Don't miss the opportunity to share your work on innovative forms of audiovisual collections presentation & critical-creative approaches to film curating, among other topics!

https://t.co/NBvoeAZGXj