With a focus on radical, engaged, conceptual and digital art Upstream Gallery Amsterdam brings pioneering and critical works from international artists.
We are excited to be part of Amsterdam Art Week 2026 (18 - 22 November). We will show solo exhibitions by Alicia Framis and Frank Ammerlaan (opening on 19 November 17.00 - 21.00) and will host special events. Find all you need to know here: https://t.co/Ro866G5TD2
Tokyo Jazz Club's inaugural edition brings together more than 60 galleries across eight floors, reimagining what an art fair can be through music, experimentation and an intensely collaborative approach to exhibition-making. https://t.co/oPyEXLz6to
@TaborRobak@newrafael All of Rozendaal’s works have one thing in common: they stem from a fascination with moving images and interactivity in its most basic form.
UPSTREAM AT TOKYO JAZZ CLUB
Until 8 November, Upstream Gallery takes part in Tokyo Jazz Club
during Tokyo Art Week, where we'll be showing works by @constantdullaart, JODI, @taborrobak and @newrafael.
ARTWORK HIGHLIGHT: Into Time 21 10 01 (2026) by Rafaël Rozendaal
@TaborRobak@newrafael Rozendaal’s work takes shape through a range of transformations – from movement into abstraction, from virtual into physical space, and from website to print – with all of them informing each other.
@constantdull@_joid@TaborRobak@newrafael Constant Dullaart (1979) is an artist, educator, curator and director of https://t.co/8CUMJAVxyf whose work critically examines neural, computer, and social networks and their infrastructures shaping contemporary digital culture.
UPSTREAM AT TOKYO JAZZ CLUB
Until 8 November, Upstream Gallery takes part in Tokyo Jazz Club
during Tokyo Art Week, where we'll be showing works by @constantdull@_joid, @taborrobak and @newrafael.
ARTWORK HIGHLIGHT: Considered (2026) by Constant Dullaart
@constantdull@_joid@TaborRobak@newrafael These AI-generated vocal disfluencies become a playground for apophenia. In an era where bots simulate flaws to appear human, Considered exposes imperfection itself as a cultural construct. The single edition of each record is in reference to Once Upon a Time in Shaolin.
@constantdull@_joid@TaborRobak Tabor Robak explores how technology and consumer culture shape emotional, psychological, and physical life. Known for his digital work, he returns here to sculpture, using mass-produced materials and precise construction to examine the systems we escape into—and what they demand.
UPSTREAM AT TOKYO JAZZ CLUB
Until 8 November, Upstream Gallery takes part in Tokyo Jazz Club
during Tokyo Art Week, where we'll be showing works by @constantdull@_joid, @TaborRobak, @newafaël.
ARTWORK HIGHLIGHT: Massively Multiplayer Chandelier (2024) by Tabor Robak
@constantdull@_joid@TaborRobak For Robak, a hardcore gamer, the work is personal. The chandelier becomes a noose made of nostalgia. Like a body hung at the edge of a battlefield, it stands as a warning to anyone who might step inside.