“The physical properties of obsidian, a hardness greater than that of ordinary steel and the ability to cleave to a fine edge, have made obsidian a prized material for millennia.”—Anita Grunder
Read more from the #MaterialIntelligence issue on #obsidian: https://t.co/rLi134lagd
✨ The fifth issue of Material Intelligence examines #obsidian, a naturally-occuring glass formed upon the sudden cooling of liquid hot magma. https://t.co/iNkf5FOaTj
A great piece by @GlennAdamson on Omer Arbel’s ‘Material Experiments’ intervention which we staged at the V&A this September for LDF, including some broader thoughts on collections, time, and materiality. https://t.co/ctHJXmwHfe
"Attention to materials is the first step in giving voice to makers and their work."
Edward S. Cooke, Jr, on the need for material literacy in the global context.
https://t.co/qGQ3fi5yx9
It's Buster Keaton's birthday! He would be 127 years old today.
Why not celebrate by watching my favorite of his shorts, "One Week"? 23 minutes of pure cinema magic and humor.
https://t.co/ysyvjPCLZF
Applications are now open for the the Lenore G. Tawney Fellowship at the John Michael Kohler Arts Center. Artists and scholars working across disciplines encouraged to apply.
https://t.co/fZz2zwGZLT
The World Around has launched a new prize for 25 climate designers under the age of 25. See here to apply or nominate: https://t.co/j1Y7nDTkOE
@TheWrldAround
The sweeping lines and geometric forms of this necklace are indicative of the intersecting movements and cultures which shaped Art Smith’s work.
Art Smith, Necklace, c. 1958.
@mfaboston#AntiqueOfTheDay
Postdoctoral fellowship from the Center for Advanced Study in the Visual Arts and the Yale Center for British Art. Deadline Nov. 15.
https://t.co/IwslDNpWdt
@YaleBritishArt
Dissertation fellowships in American Art! Apply now for major PhD support, from the Luce/ACLS. Deadline Oct. 27. https://t.co/hliZZCgEQL
@LuceFoundation@ACLS1919
@MarinRSullivan @veracherilynn Voulkos had an important visit to Italy and encounter with Pomodoro’s work - I mention it in my Back to Black essay in the Breakthrough Years catalogue.
Imogen Stuart, Frog Box, 1948. Carved yew. 🐸
Delighted I’ll be interviewing the artist (now 95 years young) as part of the annual conference Making In, hosted by Joseph Walsh at his studio in County Cork, on Sept. 10. For more details see https://t.co/uN65Y5v30Z.