Ian Glaubinger™

Doodler extraordinaire. Art Director at RSVLTS. Clients: Disney, Nick, Pixar, WB, Marvel, Lucasfilm, Cartoon Network, Godzilla & more. Collector of TMNT 🐢🍕🏒

[Delightful FREAKshow @CTFreakshow]

There’s still some great art by incredible artists sitting here. I mean it’s only day 3, but still.

https://t.co/fKhWK8QAue

[RockinPins @RockinPins]

🌟Silent Cartoon All Stars🌟

Your favorite characters from the 1920’s are being compiled in this new Blu Ray collection from @naah1929 & @RockinPins including Felix, Koko, Winsor McCay, Farmer Alfalfa & more! Help us make this collection a reality!

https://t.co/7kukjrrdmk

[Luke Barnett @LukeBarnett]

Katherine Argent wrote a masterpiece of a tweet. We turned it into a dramatic one-take short film.

This is “Everything is Fine.”

[Ian Glaubinger™ @hasUnow]

@HonuDan I'm looking forward to the update but I just wish the new 60s scene wasn't so late 60s.

[cinesthetic. @TheCinesthetic]

Back to the Future (1985) is a rare blockbuster where narrative engineering becomes invisible. The screenplay built on precise setups and payoffs, where nearly every line, prop, and action reverberates later in the story.

[Todd Spence @Todd_Spence]

Joel Murray talking about his brother Bill Murray making them miss a Grateful Dead concert they had tickets for in the '70s is honestly one of the best stories I've ever heard. Enjoy.

[Video Game History @VideoGameHstry]

Using a GIF, when did you start playing video games?

[Dan Schoening @dannyschoening]

Designs for the recent issue of TMNT Saturday Morning Adventures 36! 🐉🐢💥

[Ian Glaubinger™ @hasUnow]

@retroist I have vivid memories of buying this cassette at The Wall and tearing open the plastic wrapper.

[Ian Glaubinger™ @hasUnow]

Go to the mall. Get some Roli Boli from the food court. Spend a ton of time at the arcade. Walk over to Toys R Us.

Ascend to heaven.

[Eric Alper 🎧 @ThatEricAlper]

You wake up and it’s 1990s. No WiFi, no smartphones. What’s the first thing you do?

[Ian Glaubinger™ @hasUnow]

JOHN CARPENTER FILM FEST is on sale now exclusively @OutPost512!

https://t.co/7u4uXJH6sr

[Eileen Steinbach @SG_Posters]

I saw this and created that.

[Ian Glaubinger™ @hasUnow]

JOHN CARPENTER FILM FESTIVAL

All new screen print debuts this Friday at @OutPost512 for their Carpenter/Cronenberg/Raimi show.

I tried to figure out the best & most clever way to include as many Carpenter movies & references in one piece.

[NASA's Kennedy Space Center @NASAKennedy]

The planet can spell your name – literally. 🔤🌍

This Earth Day, see your name written in landscapes captured by Landsat: https://t.co/kcP12dhsI2

[Ian Glaubinger™ @hasUnow]

RT @RSVLTS: Incoming transmission: Something epic is almost within range...

The May the 4th Collection from STAR WARS™ | RSVLTS arrives to…

[Ian Glaubinger™ @hasUnow]

@JawKneeMurphy @RSVLTS

[Aakash Gupta @aakashgupta]

She wasn't acting. And Ledger knew it.

Heath Ledger refused to do the full Joker in rehearsals. No voice, no laugh, no mannerisms. Christian Bale confirmed Ledger only turned the character on when cameras rolled. The cast had no idea what was coming.

This is the party scene. Ledger is holding a knife to Gyllenhaal's face telling a fake story about his scars. Gyllenhaal couldn't maintain eye contact. She was genuinely trying to pull away from him. She was silently looking at Nolan to stop the scene.

Ledger saw her break eye contact and improvised the line "Look at me." Four syllables that turned a scripted scene into something nobody on set could control.

Michael Caine forgot his lines the first time he saw Ledger in full Joker. A 75-year-old actor with 130 films on his résumé, and his brain locked up. Caine wrote in his memoir last year that Ledger was "a lovely guy, very gentle and unassuming" between takes. Skateboarded around set. Then the camera turned on and everyone on the crew froze.

The film made $1 billion. Ledger won a posthumous Oscar, only the second actor in history to do so. He died six months before the movie opened. He was 28.

The performance that redefined what a villain could be in a studio film was built on a simple trick: never let your scene partners rehearse against the real thing. When they finally see it, you get something a director can't manufacture. Actual fear on actual faces.

That's what Nolan saw through the monitor. And that's why he didn't say cut.

[Ian Glaubinger™ @hasUnow]

@firstshowing this looks incredible.