@TXT_members Soobin’s mentality is really concerning. He uses things that should never be joked about to show off his sense of humor, which only leaves people with a warped impression of him.
Since the contract renewal, global and domestic YJ fans have fully supported Yeonjun through award voting and promotions.
This year represents a significant opportunity for Yeonjun to be recognized with the MAMA BEST MALE SOLO award. MAMA announced its ceremony date in March, yet five months later, @BIGHIT_MUSIC announced a tour schedule that directly overlaps with the awards ceremony, leaving Yeonjun without the opportunity to attend and receive the award in person should he win.
This is NOT an isolated case. Yeonjun has also been unable to attend the iHeartRadio Music Awards, the Blue Dragon Series Awards, and the Seoul Music Awards to receive his individual honors, with @BIGHIT_MUSIC@TXT_bighit failing to inform him of winning the awards in a timely manner.
Repeatedly denying Yeonjun the opportunity to be present for and celebrate his own accomplishments is completely unacceptable.
FOUR protest trucks are stationed outside the HYBE building TODAY.
We DEMAND fair treatment & genuine respect for Yeonjun’s achievements and his global fanbase‼️‼️
#YEONJUN #연준 #崔然竣
나 진짜 말하고 싶은게 있어
작년 파트원 앨범은 정말 앨범을 낼 수 있는 일정이 아���데도 연준이가 무리해서 낼 수 있었던거야
우리 작년 공연횟수 보여? 다른 그룹들 2n회 돌면서 빡세다고 할때 우리는 40번을 돌고 럽랭 뷰스로 한국 두번컴백 일본 컴백했었다고
애들 돌아가면서 아팠던거 기억나?
We demand BigHit properly protect YEONJUN against all hateful harassment and hate trucks.
#BIGHIT_PROTECT_YEONJUN#YeonjunDeservesBetterTreat#YeonjunWillAlwaysBeLoved#STOP_HATE_TRUCKS_AGAINST_YEONJUN
The sight of Yeonjun's tears at GOCHEOK SKYDOME in 2023 feels like it was only yesterday.
Over these years, Yeonjun has continuously given his all to the team — bearing responsibilities, carrying pressure, and never allowing his personal activities to disrupt the group's schedule.
For Part 01, his very first and most significant solo album, there was virtually no promotion — yet he still delivered results that far exceeded expectations. For the team's Tour, he cut short the recording of music shows and missed out on pre-voting. He sacrificed his health and rest to take on choreography for the team on multiple occasions, yet went uncredited. Silently, he has handled work both on and off stage—recording demos, coordinating stage movement, and more. This year, he even designed and gifted the team a commemorative ring, a testament to his loyalty and sincerity toward both the group and the fans.
We had thought that Part 02 would finally receive proper promotion — a plan that Yeonjun and all his supporters rightfully deserved. What followed, however, were abusive comments on anonymous forums and in the retweet sections of @TXT_bighit from OT4 and Anti-fans, along with protest trucks launched during his personal promotion period. All of this has brought deep sadness and bewilderment.
When Yeonjun's choreography went uncredited, where were those trucks? When Part 01 met with ZERO promotional support, where were those voices of so‑called justice? ? If those trucks were truly for the team, why were they not directed at the company during the glorious moment of a grand slam after the 7th anniversary comeback, rather than during Yeonjun's important solo activities???
We respect every fan’s right to raise reasonable opinions regarding the group's management, and we equally believe that the company should provide TXT with more comprehensive and long‑term development plans. However, the timing of this protest, along with the associated account interactions, looks more like a public trampling of a member's individual efforts — carried out by OT4 and Anti‑fans under the guise of "team interest." A member's personal growth is NEVER the antithesis of the team's growth. Treating a member's own opportunities as something to be restricted or questioned is simply absurd.
We will not remain indifferent to such malice. Going forward, we will continue to support and protect Yeonjun through our actions. We also urge more people to recognize that actions welcomed by Anti‑fans should not be condoned, and that @TXT_bighit@BIGHIT_MUSIC@HYBEOFFICIALtwt , as the agency, should better safeguard the legitimate concerns of fans and ensure the safety of their artists. Open and honest love is always a hundred times stronger than malice hiding in the shadows — we will turn our unity and love into the glory and awards that Yeonjun so rightfully deserves.
What too many people ignore about Yeonjun’s solo career is how difficult it is to be the first. Yeonjun wasn’t handed an easy path. He became the first member to begin a solo career while TXT was still at its peak, meaning there was no precedent and no roadmap. Every step came with risks that no one else had to face.
Ironically, people act as if a solo debut gave Yeonjun some special advantage, when in reality many of the disadvantages fell almost entirely on him. His solo work was constantly treated as if it mattered less than the group. He was repeatedly expected to prove his love and loyalty to TXT in ways that no one ever asks of artists pursuing their own careers elsewhere. His solo activities were judged against standards that simply didn’t exist for anyone before him.
Yet despite all of that, he carried the burden, kept creating, and opened a path that future solo activities can now follow. If anyone benefits from the experience Yeonjun gained by going first, it won’t just be Yeonjun. It will be every member who comes after him.
That’s why reducing everything to “Yeonjun is privileged” completely ignores who actually took the greatest risk and carried the heaviest burden. Being first wasn’t a privilege. It was a responsibility, and he carried it
LINDO! Durante um encontro com fãs, um MOA relatou ter cumprimentado Yeonjun dizendo: "Yeonjun noona! Feliz Mês do Orgulho!". Segundo o fã, ele respondeu com um sorriso e agradeceu.
O mesmo MOA também compartilhou uma foto tirada com Yeonjun, na qual aparece segurando um Hwangchoon acompanhado da bandeira da Visibilidade Trans.