dino asked if he could sit down for 10 secs so carats really counted to 10 😭😭😭😭
🦦 are u SEVENTEEN? i got surprised! i thought u were the hyungs! i was wondering what it was
🦦 ah really u are so my type~
🫠🫠🫠🫠🫠
se habla mucho de zac efron pero poco de corbin bleu. el tipo también te daba rostro, voz, talento, era uno de los mejores bailarines del cast y hasta la fecha sigue haciendo teatro y es increíble.
A internet entrando em colapso descobrindo que a Kristen Bell realmente sabe cantar na vida real e não era autotune kkkk
O pior são as crianças no estádio tentando entender porque uma mulher de meia idade tem a voz da Anna do Frozen
Apparently ATEEZ BAD had a lot of streams yesterday because this vid went viral among knetz when she was showing her dance to BAD on first day vs 7 days vs 30 days 😭
Anyone from oldgen kpop knows exactly what vernon is saying, and have been saying it for YEARS. People mad at him are just upset to hear it directly from an idols mouth.
Vernon’s point here is actually much more nuanced than “old K-pop was better” or “K-pop is becoming American.”
K-pop has always been hybrid. Its history is deeply connected to American and European pop, R&B, hip-hop, dance music, and also to the Japanese music industry. Even the formation of what we recognize as modern K-pop in the 1990s happened through taking foreign musical forms and recontextualizing them within Korea’s own language, industry, performance culture and audience.
That’s why the important part of what Vernon is saying is not that K-pop suddenly started borrowing from American pop. It has ALWAYS done that.
The interesting change is how much the distance between the source material and the Korean reinterpretation has narrowed.
Think about the difference between earlier generations and now. A 2nd-gen song could be heavily influenced by an American genre and still sound unmistakably like a Korean production because the influence was being filtered through a very particular Korean arrangement style, vocal structure, songwriting approach, choreography and idol-production system.
Wonder Girls, BIGBANG, 2NE1, Girls’ Generation, etc. were absolutely not “uninfluenced” by Western music. Quite the opposite. But you could often hear the process of localization more clearly.
And that localization was actually one of K-pop’s strengths.
Korea didn’t simply import American pop and reproduce it. Producers took global trends, adapted them to Korean audiences, combined them with Korean industry practices, and eventually developed a system capable of exporting that localized product back into the global market.
That is basically the fascinating paradox of K-pop’s globalization: something can be heavily influenced by global pop while becoming more distinctly Korean through the way those influences are reorganized.
What Vernon is noticing now is almost the reverse side of that process.
The global music industry has become so interconnected that producers, songwriters, choreographers and labels are working across the same international networks, using the same DAWs, sample libraries, trends, genres and songwriting camps, and responding to increasingly similar global market expectations.
So naturally, the “filter” becomes less audible.
It’s not that K-pop stopped being influenced by American pop. It’s that the global pop vocabulary has become so shared that sometimes there is less sonic distance between “K-pop” and “Pop” to begin with.
And honestly, this is why his comment about the 2000s/early 2010s makes sense to me. He isn’t necessarily saying those songs were more original. He’s talking about a period when the process of taking a global influence and turning it into something recognizably K-pop was easier to hear.
That distinction matters.
And honestly, I could yap about this for much longer if anyone is interested 😭 There are some genuinely fascinating articles and discussions on K-pop’s musical hybridity, localization, globalization, and the changing relationship between K-pop and global pop.
The more you look into the history, the more interesting Vernon’s observation becomes.
Vernon on Kpop
🐻❄️: I feel like Kpop sounds more and more like American pop instead of Kpop and i think a lot of people talk about that too so it makes me want to go back to like the 2000s or the early 2010s like when i was in elementary school like wonder girls, or big bang or 2NE1, all that.
I think it’s because kpop producers always try to bring American sounds to kpop and make it their own thing and i think right now they got to the point where they’re too good. You can’t differentiate between Kpop and Pop, i mean you can but the gap has become more and more thin.
ITZY’s Chaeryeong is going viral for a heartwarming interaction with her mother.
The moment comes after her mother attended the group’s fanmeeting shortly after being discharged from the hospital. https://t.co/td1306I5ev
1️⃣2️⃣–0️⃣ SWEEP! ✨🧹
🇯🇵 Japan has completed the 2026 Volleyball Nations League preliminary round with a flawless 12-0 record, becoming the only team to finish unbeaten.
Japan sealed its historic campaign with a straight-set victory over 🇦🇷 Argentina: 25-22, 25-22, 25-16.
With an unblemished record and plenty of momentum, Japan now heads to the VNL quarterfinals, where it will take on host nation 🇨🇳 China in Ningbo.
Can Japan keep its perfect run alive? 🔥
#VNL2026 #Volleyball #バレーボール
📸 Volleyball World
The stage is set for greatness! 🏆🔥 The #VNL2026 Women’s Finals bracket is here.
Hosted by China in Macau 🇨🇳, the road to glory is paved with unforgettable moments.
Who will rise, who will fall, and who will etch their name into #VNL history?
#BePartOfTheGame#Volleyball