patrick.

please excuse me i need to return some 4K UHD discs | .mov & .jpeg |

[patrick. @imPatrickT]

i cut together the best egg scenes in movies

[patrick. @imPatrickT]

We had no issues projecting Dark Knight’s IMAX sequences on 35mm. They just cropped to scope.

Today, desqueezing at the projector is antiquated and rare. Not to mention Odyssey is spherical.

There’s no technical challenge projecting a 1.43 IMAX image out of any cinema projector. There’s resolution standards that IMAX has (CoLa VS dual laser) but just like you’re watching the 1.43 at home, you can do that anywhere.

[patrick. @imPatrickT]

@LukeBarnett every offline convo i've had with industry folks about it has been exactly this

[patrick. @imPatrickT]

@bobgoochman the only sliders im ever playing with

[patrick. @imPatrickT]

@internetvin make more money

[patrick. @imPatrickT]

@buddhistwisdom7 @IMAX @odysseymovie backrooms

[patrick. @imPatrickT]

cinephile who is going to be okay

[patrick. @imPatrickT]

@JohnHPiette @metaplexmovies ive never known scope to be referred to as anything but wider formats

[patrick. @imPatrickT]

@DiscussingFilm you should be able to upsize it to the blimp version for $1.99

[patrick. @imPatrickT]

@JohnHPiette @metaplexmovies scope is widescreen - we're talking about the 1.43.

that said, a lot of people want 1.43 releases at home, particularly on the 4K discs.

[patrick. @imPatrickT]

@metaplexmovies my thoughts exactly. in person it's amazing, but on small screens (even TVs) I think it just looks too loose.

[patrick. @imPatrickT]

@Tyartandcomics growing up in the 90s

[patrick. @imPatrickT]

real photos i took of places that look rendered

[patrick. @imPatrickT]

took my camera to the mall at golden hour.

[patrick. @imPatrickT]

thats kind of the total opposite of what i've experienced/heard, the only venice 2 mainstream film i thought looked nice was top gun maverick. almost everything else i can immediately tell it's venice.

Jeremy shot backrooms on venice 2 and said they had really give it life in the grade.

[patrick. @imPatrickT]

@flodyssey only thing with SONY is many people (myself included) fine the image a bit thin, or lacking richness out of the gate.

i shoot sony, you just need to know what you're doing in the grade to give it some more life. The Arri is a lot easier to work with color/dynamic range wise.

[patrick. @imPatrickT]

@flodyssey yes! posted on IG story this morning with some thoughts.

[patrick. @imPatrickT]

@MovieSumit bushnell bone collector. it's for hunting to measure distance. he probably uses it like a director's viewfinder to help decided lensing/blocking.

[patrick. @imPatrickT]

@metaplexmovies i went in expecting it to be total shit but it was fun as hell. leto killed me and the audience was going crazy.