Are u seriously sending trucks over this? Do u realise this does nothing but confirm tht u're a parasocial loner and a spoiled brat right?
If u /really/ cared about the boys then u should use tht money for streams and votes. Yk actually help and give a crap about their careers
Regarding the issue of seventeen's backing dance, we will drive a truck and make a text announcement.
Seventeen의 파트너 댄스 문제에 관하여, 저희는 트럭을 운전하여 문자 공지를 진행하겠습니다.
关于seventeen伴舞问题,我们将开卡车,进行文字告示
@goldenlitee He WAS the root cause of his frustration tho. Jeongyo laid into him becuz of what Pio said/treated him😭 (its not right but they are crazy and teenagers) and thts what Pio apologized for (jy should have too)
@synistere@_BreathingFiree I mean tht depends on the argument. plus if thts the case thn Pio should apologize if they argued about something he was wrong on ahsja thts how it works right? 😭
Its more who'd say sorry regardless & thts 50/50 to me. Depends on the context ig. Humans are complicated 😭
@minikangie The fact tht both of them have their most lowest, peak vulnerable, moments alone
The only exception is JY's panic attack and Pio's freakout/grieving when he lost his music sheet but its still not the same as full blown sobbing
Why K-fans and Korean-speaking readers are furious about the new web novel <이상적 아이돌의 회귀비망록> (A Comprehensive Breakdown)
There is an overwhelming amount of misinformation circulating regarding the backlash against author Cheongdo Peach’s (@.doraonda) new web novel on KakaoPage, <이상적 아이돌의 회귀비망록> (Memoir of an Ideal Idol’s Regression).
Having read the chapters and monitored the discussions across Korean communities (theqoo, X), I want to write correct info for international fans.
This is not a generic regression story; it is a blatant, disrespectful patchwork of real-life people, unique group dynamics, xenophobic tropes, and deeply painful real-life trauma used as cheap fiction fodder.
Here is what is actually going on:
1. The Blatant Plagiarism of SEVENTEEN’s Identity & Internal Memes
The fictional group in question is named "Eleven". The author did not just write a generic multi-member group; they lifted SEVENTEEN’s specific historical setup and fandom lore almost verbatim:
* The Name Math: The group is explained through an exact mathematical formula—members + team/fandom = group name. When one member leaves, the text explicitly writes that it now means "10 members and 1 team".
* Fandom-Specific Jokes Weaponized: The text pulls directly from SEVENTEEN’s well-known inside fandom jokes—specifically the dark humor meme Carats and members used to joke about when strangers asked why a 13-member team was called "17" (e.g., "Did a few members die?", "Did someone eat the rest?").
* Real Trainee Stories: Specific real-life pre-debut anecdotes, including trainees sneaking out to buy ice cream only to walk in a park because they had no money, were lifted directly into the text.
* The Protagonist Archetype: The main character regresses with the goal of writing songs and acting as the group’s self-producing idol, echoing Woozi’s established identity in a multi-member lineup.
2. Reinforcing Harmful Xenophobic Stereotypes (The Chinese Member Trope)
The way the fictional group’s downfall is written has caused immense anger. In Chapter 1, the author writes
> "The first to leave was the Chinese member, A. It was during our first and only somewhat successful promotion. As if proving the negative prejudices against Chinese members, the moment A received an offer from a Chinese agency, they unilaterally nullified the contract and fled back to their home country."
To use real-life multi-national group aesthetics while actively leaning into xenophobic stereotypes ("Chinese idols always breach contracts and run away") is disgusting on its own.
SEVENTEEN's Chinese line has spent over a decade proving their loyalty, constantly promoting the team even during their individual schedules in China. Reducing multi-national group dynamics to this tired, hateful prejudice is inexcusable.
3. The Crossed Line: Exploiting Real-Life Tragedy as a "Plot Device"
This is what pushed the controversy onto theqoo’s HOT board and elevated it beyond typical fandom friction.
According to the official synopsis and Korean community breakdowns:
* The fictional group falls from 11 members to 7 due to contract terminations, adultery scandals, severe crimes, and the death of the protagonist’s closest friend/member.
* One year later, the deceased friend’s younger sister approaches the protagonist and offers a way to turn back time.
* The protagonist regresses to his trainee days to save his team and keep his best friend alive.
Anyone familiar with the industry understands immediately why this crossed an absolute moral boundary. Using a real, devastating tragedy involving a deceased idol, their grieving sibling, and their best friend as a literal regression mechanic and narrative trope for an entertainment novel is vile and callous. Korean readers also noted that the author previously used similar real-person references and modified nicknames in their past works.
+
@synistere@_BreathingFiree Pio apologized for being a d!ck to him before the fight...also i feel like a healed up Pio wont say sorry when he's in the right
To me its like 50/50
IDOL CHAMP RT DEALS Show Champion Pre-Vote #SEVENTEEN#JxJ
— 200 tickets
Rules:
─Follow @sixforsell
─Like & RT this tweet & pinned 📌
─Drop proof under pick # (min 100)
Available for sale
400 tickets = IDR 16K/$1
⏰ 36 hours
@yohanatrix He was probably gonna say some shit: can u not bl0w ur opportunity up like tht. Didnt i say i dont like people who dont take music seriously.
(Somewhere in there is an apology tht only a jeongyo can find)