inTransition

A Journal of Videographic Criticism - a project of @mediacommons and @JCMSjournal

[inTransition @inTransitionCMS]

1/0 Just published! Issue 10.3 of @inTransitionCMS, a special issue on 'Feminist Videographic Diptychs' conceived, produced and edited by Prof Catherine Fowler of the University of @otago, New Zealand.
https://t.co/Bwtphqmv4J

[Kathleen Loock @kalliloo]

Today is #EarthDay2024: the perfect day to watch the new video essay on "Take Shelter" I made with Julia Leyda. It explores the storm as a metaphor and structuring device and links it to the U.S. housing crisis, extractivism, and the climate unconscious.
https://t.co/ugo2KClMx2

[tecmerin_revista @tecmerinrevista]

Time to watch!!!

[Audiovisualcy @audiovisualcy]

Another great video essay in the new issue of @inTransitionCMS is Desiree Garcia's magnificent and very original study of early film’s interest in backstage space and the relationship between cinematic interiority and the archive: https://t.co/OmaXB2qgLl

[The Daily @CriterionDaily]

Howard Hawks and Otto Preminger @inTransitionCMS, great bio-pics @NewYorker, Med Hondo @Slant_Magazine and @FilmComment, Haitian cinema @HammerandHope, Tsai Ming-liang @ScreenSlate …

Did You See This? https://t.co/xM9cWdFWTh

[Screenworks @Screenworksorg]

So great to see this! Congratulations on your anniversary and your move to OHL! 🎉

[[email protected] @CageyRant]

Thrilled to publish my latest video essay, made in collaboration with Laura Mulvey, at @inTransitionCMS’s new publishing platform in its 10th anniversary issue! https://t.co/WggIoMcVcN

[inTransition @inTransitionCMS]

So happy to be launching our new 10th anniversary issue at our new publisher @openlibhums!

[inTransition @inTransitionCMS]

Very exciting news: our Journal Manager @JMittell just published a new open access scholarly monograph with Lever Press: The Chemistry of Character in BREAKING BAD: A Videographic Book.
https://t.co/aFDK5hZ3f9
The book also launches a series of videographic books (ed. by Jason).

[James DeLisio @delisioso15]

Thank you very much to @ariel_avissar and the editors at @inTransitionCMS for selecting my video essay for publication in this special issue!

[Ariel Avissar @ariel_avissar]

7/7 And finally, @nikiradman’s entry on #Maid is in dialogue with my own on #Severance, as two portraits of female characters attempting to cope with and break free from various form of confinement: https://t.co/lahdXmVbnx

[Ariel Avissar @ariel_avissar]

5/7 @delisioso15’s entry on #NeonGenesisEvangelion is in dialogue with @DavidMartinJon1’s on #BattleofthePlanets, as both explore anime series from their childhoods with a certain air of nostalgia: https://t.co/zEZt3cmgiw

[Ariel Avissar @ariel_avissar]

4/7 Jan Kinzl’s entry on #Actor is in dialogue with Jiří Anger and @plastovy_narcis’s on #Vodník, as both engage with Czech television and highlight the potential in more geographical diversity in TV studies: https://t.co/O5TQ6050Xb

[Ariel Avissar @ariel_avissar]

3/7 Rutem Sudman’s entry on #TerraceHouse is in dialogue with @ColleenLaird’s on #SailorMoon, expanding the collection’s scope to investigate the relationship between English and Japanese: https://t.co/lTlLWmBUuO

[Ariel Avissar @ariel_avissar]

2/7 @joy_hunter_’s entry on #IMayDestroyYou is in dialogue with @barbarazecchi18’s on #Marcella, as two meditations on female agency in the face of violence and oppression: https://t.co/kOlz2KvjC9

[Ariel Avissar @ariel_avissar]

@inTransitionCMS @joy_hunter_ @delisioso15 @chiarji 1/7 Karin Spišáková’s entry on #Hannibal is in dialogue with my own on #Dexter, as two takes on TV serial killers and extreme closeups: https://t.co/K1yOFc0ViA

[Ariel Avissar @ariel_avissar]

Very excited to present the new special pedagogy issue of @inTransitionCMS, featuring seven 𝐓𝐕 𝐃𝐢𝐜𝐭𝐢𝐨𝐧𝐚𝐫𝐲 videos made following a special call for student entries:
https://t.co/UgQ8UiX2Tx

[tecmerin_revista @tecmerinrevista]

Undoubtedly one of the most expertly crafted, challenging & enjoyable (in a twisted way) video essays of 2023, "Men Shouting" by Alan O'Leary
Watch here (and read the text!)
https://t.co/QfcDKeZ2ph