婚約しました。
嬉しい時も、辛い時も、たくさんの時間を共に過ごし、支え合いながら歩んできました。
いつしか、お互いにとってかけがえのない、なくてはならない存在となりました。
こうしてようやく皆様にご報告できることを、心から嬉しく思います。
これからも支え合いながら、変わらず私たちらしく、一歩ずつ歩んでいきたいと思います。
今後とも、温かく見守っていただけましたら嬉しいです。
三浦璃来 木原龍一
We’re engaged.
Through both the happy times and the difficult ones, we’ve shared so many moments together, supporting each other every step of the way.
Over time, we became irreplaceable parts of each other’s lives—someone neither of us could imagine life without.
We’re truly happy to finally be able to share this news with all of you.
As we begin this new chapter, we’ll continue to support each other and move forward together, one step at a time, while always staying true to who we are.
We hope you’ll continue to warmly support us and watch over us.
Riku & Ryuichi
#shesaidyes
Photo by Nobuaki Tanaka
The reason Titanic's flooding looks impossible to replicate today is because insurance companies won't allow it anymore.
James Cameron built a 17-million-gallon water tank on the coast of Mexico, constructed a near-full-scale Titanic inside it, and then destroyed it on purpose for a single film.
Most people watching that flooding sequence assume it's CGI wizardry. It's mostly not.
What you're seeing is a real ship set being ripped apart by real water under real pressure with real actors inside it, one take at a time, with almost no room to reshoot because rebuilding a flooded Edwardian dining room takes weeks.
The Grand Staircase scene alone used around 90,000 gallons of water dumped through valves the size of sluice gates, engineered to blast the glass dome inward the way the ocean would have on the actual night in 1912.
Cameron shot it in a single take.
If a stunt performer had slipped the wrong way, if the water had pinned someone against the bannister, if the set had collapsed at the wrong angle, the entire scene was gone along with the set that produced it. There was no second attempt built into the schedule.
For the corridor chase sequences, the trick was subtler and stranger. The set wasn't flooded downward. It was lowered into standing water using hydraulic rigs, so what looks like water rushing at Jack and Rose is actually the world being lowered into a pool while they run.
Your brain reads it as flooding because gravity tells you water rises. Cameron inverted the physics of the shot to control what the water did around the actors.
Kate Winslet refused a wetsuit for most of it. The tank water sat around 60 degrees to force genuine shivering, gasping, panic responses on camera. She developed hypothermia during production and later said she'd never work with Cameron again. She meant it for over two decades.
It's sad that the industry has largely stopped making films this way. Water is expensive, dangerous, uninsurable, and computationally cheap to fake now. What you're watching in Titanic is a category of filmmaking that essentially died with it becasue the physical spectacle was so costly and reckless that no studio will greenlight it again.