The rallies are real, the guests are game, and Sania’s serving aces in every conversation. This time around, expect smashes, surprises, and stories that hit home.
The first episode of Serving It Up with Sania drops November 12, with new episodes releasing every Wednesday on YouTube!
@DigitekOfficial, @Crompton_India , @British_Airways , @MirzaSania #SolitarioDiamonds
#SportsTalk #CelebrityInterviews #TennisIcon #RealConversations #UnfilteredChats #GameSetMatch #WomenInSports #IndianIcons #SportsEntertainment #BehindTheGame
We've officially discovered the Anil Kapoor Cinematic Universe.
Judaai. No Entry. Dil Dhadakne Do. Jug Jugg Jeeyo...
Why does this man keep ending up in cheating storylines? 😭💀
@shreemiverma19@AnilKapoor#Cine5#IVMPop
Shankar-Ehsaan-Loy have a fascinating problem.
Sometimes they make an all-time great album... and the movie never catches up.
The best SEL soundtracks happen when the director and the composers are truly collaborating. Otherwise, the music ends up living on an island of its own. 🎵
@Shankar_Live@EhsaanNoorani@loy_mendonsa@shreemiverma19 #KaranMirchandani #Cine5 #IVMPop
Ayesha Parikh explains why contemporary art may not be as intimidating as people think.
“Contemporary art talks about the now.”
Unlike older modern art, you do not always need to understand the context of the 1950s or where it sits in an art movement.
It speaks to your current position.
She shares that people have spent time in her gallery and cried in front of paintings because the work moved them deeply.
Why?
Because it was made by someone today, speaking to people today.
#AyeshaParikh on Paisa Vaisa with Anupam Gupta (@b50)
#PaisaVaisa #ContemporaryArt #IndianArt #IndianArtMarket
Satishwar B. explains special exit value in term insurance.
“Most of the term plans now come with something called a special exit value.”
“You buy it up to age 70.”
“But life insurance companies give you a window between age 55 and 60, depending from company to company.”
“You can say, I am surrendering my plan.”
“And you get the entire premium back.”
“No return or anything.”
“It’s an expense against which you’re getting your money back.”
#SatishwarB CEO of @Bandhan_Life on Paisa Vaisa with Anupam Gupta (@b50)
#PaisaVaisa #TermInsurance #LifeInsurance #PersonalFinance
CEO of Bandhan Life explains how you can judge whether an insurance is actually right for you.
“Make it need-based.”
“Forget the complexities. Forget who is getting what, whether it is commission or something else.”
“As a customer, I should be making an informed buy.”
“What is it that I need, and what is it that I am getting?”
“Is it actually meeting a specific objective of mine?”
He also says every customer should know three things:
What will I get at maturity or as income?
What will I get if I exit in between?
How long is the policy for?
#SatishwarB from @Bandhan_Life on Paisa Vaisa with Anupam Gupta (@b50)
#PaisaVaisa #LifeInsurance #ULIP #PersonalFinance
Ayesha Parikh explains why billionaires turn to art.
“Once you have as much wealth as you can, what’s the next ambitious site to go?”
“It’s culture.”
She explains how art, museums and cultural patronage become a form of soft power.
At a certain level of wealth, money is no longer the only signal.
Culture becomes the next rung.
#AyeshaParikh on Paisa Vaisa with Anupam Gupta (@b50)
#PaisaVaisa #IndianArt #SoftPower #ArtMarket
Satishwar B. explains where ULIPs fit in a world of mutual funds.
“ULIPs are designed from a long-term perspective.”
“It is not an immediate short-term thing.”
“If you are looking for something beyond 5 years, preferably 10–15 years, that’s where you should look for ULIP.”
“If you need something even in 5 years, not ULIP. You will not see that benefit.”
He also explains how a ULIP can work for a long-term goal like a child’s education.
It creates discipline, builds a corpus, and also gives life cover if something happens before the corpus is fully built.
The key point: don’t compare ULIPs and mutual funds only on returns.
Look at the goal, tenure, flexibility and cover.
#SatishwarB form @Bandhan_Life on Paisa Vaisa with Anupam Gupta (@b50)
#PaisaVaisa #ULIP #MutualFunds #LifeInsurance
Satishwar B. explains the simplest way to buy insurance.
“Make it need based.”
“Forget the complexities. Forget who is getting what, whether it is commission or something else.”
“As a customer, I should be making an informed buy.”
“What do I mean by that?”
“What is it that I need, and what is it that I am getting?”
“Is it actually meeting a specific objective of mine?”
That’s the core of buying insurance better.
Not the most complex product.
Not the biggest pitch.
Not just what someone is selling.
The right policy is the one that solves your actual need.
#SatishwarB from @Bandhan_Life on Paisa Vaisa with Anupam Gupta (@b50)
#PaisaVaisa #LifeInsurance #InsurancePlanning #PersonalFinance
Alam Ara was the first talkie film. It had loads of songs... but no playback singing. They sang everything live. The musicians would literally hide behind trees while the actors performed. 😂
Bollywood before playback singing was absolute chaos.
@singer_shaan#CyrusSays #Bollywood #AlamAra #IndianCinema #MovieTrivia
Ayesha Parikh explains why the Venice Biennale is called the “Olympics of culture.”
“Everything that’s playing out in this one little city is like geopolitics of the world playing out in front of you through the national pavilions.”
She talks about protests around national pavilions, security, major cultural parties, institutions and countries showing power through art.
The Venice Biennale is not just an art event.
It is art, politics, money, soft power and national identity on a global stage.
#AyeshaParikh on Paisa Vaisa with Anupam Gupta (@b50)
#PaisaVaisa #VeniceBiennale #ContemporaryArt #ArtWorld
Ayesha Parikh explains how beginner artists should think about making money in art.
“How does one make money in art?”
“The basics are knowing what it means for an artist to be progressing.”
“Never just go in and say, I like this work and that’s it. It requires effort to know more about the artist, what they have done, what they showed before, and where their work is going.”
“If you like their work, keep track of their progress. Are they getting collected by important places? How much is the gallery pushing their career forward? How entrepreneurial is the artist?”
“She gives the example of Kumar Misal. In 2022, a medium-sized work was around ₹2.5 lakh. A similar-sized work is currently around ₹7 lakh.”
“But the point is not just returns. It is research, risk and understanding the artist before placing your bets.”
#AyeshaParikh on Paisa Vaisa with Anupam Gupta (@b50)
#PaisaVaisa #ArtInvesting #IndianArtMarket #AlternativeInvestments
Satishwar B. explains what people get wrong about life insurance claims.
“Everybody looks at which company has the highest claim ratio.”
“But when you buy a policy, there are three specific pieces you need to take care of.”
“One is identification. Satishwar buying for Satishwar. That needs to be clear.”
“We have cases of identification theft, so every policyholder should ensure the documentation is right.”
“Two is the declaration you do.”
“Within declarations, there are two pieces: income declaration and health and lifestyle declaration.”
“These are not very complex questions. The policyholder needs to ensure this has been honestly declared.”
“A healthy life versus not-so-healthy life the pricing changes.”
“Term insurance is an income replacement plan. It is not a money-making tool.”
“If someone earns ₹10 lakh and wants a ₹10 crore cover, that does not work.”
#SatishwarB from @Bandhan_Life on Paisa Vaisa with Anupam Gupta (@b50)
#PaisaVaisa #LifeInsurance #TermInsurance #InsuranceClaims
Satishwar B. explains the real purpose of a term plan.
“A term plan is an income replacement plan.”
“It’s not a money-making tool.”
“If I am the breadwinner of the family, I get a monthly or an annual income.”
“In case something happens to me, this income stream should not stop for the rest of the dependents.”
“So, it’s an income replacement.”
That’s why term insurance cover has to make sense with your actual income.
It is not about buying the biggest number possible.
It is about protecting the income your family depends on.
#SatishwarB from @Bandhan_Life on Paisa Vaisa with Anupam Gupta (@b50)
#PaisaVaisa #TermInsurance #LifeInsurance #PersonalFinance
why the global view of Indian art is changing.
“The narrative in the West is still stuck on India being craft-focused and artisan-led.”
India is strong in craft, but Ayesha points out that this perception can limit how Indian contemporary art is seen.
Contemporary art carries a different weight because it speaks to the now the current times we live in, or new perspectives from the historical past.
And that image is starting to shift.
#AyeshaParikh on Paisa Vaisa with Anupam Gupta (@b50)
#PaisaVaisa #IndianArt #ContemporaryArt #IndianArtMarket
Ayesha Parikh explains what art galleries actually do for artists.
“A gallery works with many artists. But when we see real potential, we represent them.”
“That means taking a long-term commitment to build the artist’s career, along with our resources.”
“Most galleries have their shows planned 12 to 18 months in advance. Building an exhibition takes months of planning, thinking, pushing the artist’s practice, and working with curators.”
“It is not just about putting art on a wall.”
“There is strategy around visibility, solo shows, collectors, institutions, residencies and international plans.”
“In a way, the gallery becomes the artist’s marketing engine.”
#AyeshaParikh on Paisa Vaisa with Anupam Gupta (@b50)
#PaisaVaisa #IndianArt #ArtGallery #IndianArtMarket