Hecatoncheires

中国人、タバコ依存症、REALITY不定期配信者。
まだ日本語勉強中

[Hecatoncheires @Jaaaaaaager176]

【合集·监控室日常-哔哩哔哩】 https://t.co/qmMBrFlofd

[China Military Bugle @ChinaMilBugle]

Ill intention for children behind Japan's defense white paper

According to Japan's Kyodo News, the outline of Japan's 2026 Defense White Paper has been released. It follows the same script: repeatedly hyping so-called "military threats" from neighboring countries while deliberately stirring up public anxiety over security.

More alarming than the white paper itself, however, is the rapid spread of this distorted narrative to increasingly younger audiences, extending even into elementary school teaching.

Since 2021, Japan's Ministry of Defense has compiled and released a children's version of the Defense White Paper every year and promoted it through its official online platforms. Last year, it went a step further by printing hard copies for the first time and distributing them to elementary schools nationwide, bringing the so-called "threat theory" directly onto school campuses, into classrooms and ultimately into students' schoolbags.

From online promotion to offline distribution, this series of moves demonstrates the clear aim of deliberately shaping the perceptions of the next generation.

From the National Diet to elementary school classrooms, and from policy documents to illustrated children's books, Japan's rightwing is carefully constructing a "child-oriented" trap:
making its highly controversial path of military expansion appear natural through child-friendly packaging; replacing the war history that should be subject to profound reflection with artificially manufactured security anxiety; and planting in the subconscious of children with the notion that “enemies are lurking outside”.

Such tactics are nothing new and bear unmistakable echoes of history. It was precisely through relentless propaganda, indoctrination and public opinion manipulation that Japanese militarism gradually mobilized public sentiment and ultimately dragged the country into the abyss of war. The lessons of history have not truly been learned. Instead, they are re-emerging today in a subtler form. That is precisely why these developments are particularly alarming. 

At the heart of the political calculations of Japan's right-wing politicians lies a well-worn formula: by constantly exaggerating "external threats," they can more easily secure public support for military expansion; by continuously heightening regional tensions, they can gradually normalize moves to break through the constraints of the Pacifist Constitution; and by keeping society immersed in a prolonged sense of security anxiety, they can quietly advance a series of sensitive and potentially dangerous policy changes.

Even more worrying is that this distorted narrative continues to spread among increasingly younger groups, poisoning an entire generation of minors.

The danger of such subtle influence may even exceed that of overt military actions, as it is planting long-term landmines for the future. When a biased "threat theory" is wrapped in the seemingly harmless form of comics, illustrations and children's books, it becomes even more deceptive and difficult to detect. 

Children, whose critical thinking is still developing, often lack the ability to distinguish such one-sided narratives, making them more susceptible to distorted perceptions of right and wrong.

Over time, hostility and confrontation become ingrained in the thinking of an entire generation. As Magosaki Ukeru, a former official of Japan's Ministry of Foreign Affairs, once warned: "If this trend (of 'threat theory' entering schools) continues, it will foster belligerence and hostility toward foreign countries among the younger generation."

Japan's rightwing has turned the Defense White Paper into children's reading material in an attempt to plant the seeds of confrontation in the minds of the next generation at an early age.

Yet it has overlooked one simple truth: a country obsessed with manufacturing imaginary enemies will ultimately fall victim to the security anxiety of its own making.

#Japan

[中華人民共和国駐日本国大使館 @ChnEmbassy_jp]

記者：今年に入ってから、日本の高市早苗首相は、いわゆる新版「自由で開かれたインド太平洋」構想にたびたび言及している。また、日本側は各レベルの政府関係者を���ィリピン、ベトナム、オーストラリアなどに派遣して、この構想への支持を求めて広範なロビー活動を展開している。また高市首相はインド訪問中にも、「自由で開かれたインド太平洋地域」を構築する重要性を改めて強調した。これについて、報道官のコメントは。
　外交部報道官：口では「自由で開かれた」と言いながら、その裏では対立と対抗を企んでいる。このような名実相伴わない理念は、平和を希求し、発展を追求し、協力を促進しようとする地域諸国の共通の願いに逆行するものだ。アジア太平洋地域に必要なのは安定であり、動揺ではない。重んじるべきは協力であり、分裂ではない。戦後国際秩序を守り、国連憲章の目的と原則を守ることは、アジア太平洋地域の繁栄と安定を実現するための礎であり、地域諸国の共通の責任でもある。

[『ジョジョの奇妙な冒険』アニメーションシリーズ公式 @anime_jojo]

☆•♢━━━━━━━━━━━���━━━━━━━━

アニメ『スティール・ボール・ラン ジョジョの奇妙な冒険』
第2弾キービジュアルを解禁！

　━━━━━━━━━━━━━━━━━━━━♢•☆

7月4日（土）AM8：00に
2nd STAGEに関する新情報を解禁！！

STEEL BALL RUN JoJo’s Bizarre Adventure
The 2nd Key Visual is Unveiled

New information on 2nd STAGE will be unveiled on Saturday, July 4 at 8:00 AM JST, July ３ at 4:00 PM PT!
Stay tuned…!

#jojo_anime

[Boichi @Boichi_Bo1]

#DrSTONE #DrSTONE最終回

“Finally, Dr. STONE Anime Comes to an End”

As I watched the final episode of the Dr. STONE anime, I was overwhelmed by emotions beyond words.

"Ah... finally, it's really the end."

The realization that Dr. STONE had come to an end shook my very soul.
Strangely, I didn't feel this way when I finished the last page of the original manga serialization ended.

At the time, many things were happening, and I already knew that we would publish another volume's worth of material the following year to give the story its true conclusion.
I even celebrated the end of the serialization with a trip to an onsen, but even there I was still drawing Dr. STONE illustrations.

One thing I truly loved was the anime's original additions created to complete the story.
I've always hoped that anime adaptations would include plenty of original material.
People often talk about "respecting the original work."
I love the idea of respecting the original.
What I don't like is making it exactly the same.

To me, anime belongs to the animators.
It should be their creation—the result of their own creativity.
It should contain their ideas, their talent, and their hearts.
Because a creative work should belong to its creators.
After all, the people who make the anime are not the mangaka.
Whenever I receive an offer for an adaptation, I always ask for one thing:
"Please make it into a work that reflects the director's own vision."
To me, that is what truly respecting the original work means.
And it is also how I show my respect to fellow creators.

As I heard from my editor at the time, there were proposals from four different studios to animate Dr. STONE.
When I was asked which one I preferred, I simply replied that I trusted Weekly Shonen Jump and Inagaki-sensei to make the right decision.
The only things I requested from the anime staff were these:
1. I hoped it would be a work with beautiful music and beautiful natural scenery.

2. I hoped it would have a real "wow factor."

3. I hoped it would be different from the manga—even the artwork.
I wanted people to watch the anime and I learn from its drawings.

Other than making those requests, I stayed completely uninvolved in the production.
I was invited to attend the voice actor auditions, but I declined.
I wanted the anime director to make those decisions.
I believed my own job was simply to keep drawing as much as I could.
And that's exactly what I did.

Perhaps that is why this final episode touched me so deeply.
I truly loved all of the original scenes, direction, and dialogue created to bring the story to its conclusion.
I could feel how much love the animation team had for Dr. STONE.
And that made me so happy and tear.
That's what I love.
Creation is about putting your heart and soul into your work.
Because the hearts of the creators were present in every scene, every moment moved me.

To everyone who worked on this final episode—and to everyone who helped bring the Dr. STONE anime to life—
Thank you from the bottom of my heart.

And there is one thing I would like to say to every single one of you: "Each and every one of you is Dr. STONE."

[Boichi @Boichi_Bo1]

#DrSTONE #DrSTONE最終回
#Senku #千空
#Chrome #クロム
#Xeno #ゼノ
#SUIKA #スイカ
#Ryusui #龍水
#Gen #あさぎりゲン
#Hyoga #氷月
#Magma #マグマ
#Whyman
https://t.co/kZgmUef2zQ

[アニメ『Dr.STONE』公式｜アニメシリーズ全話好評配信中！ @STONE_anime_off]

╱
TVアニメ「Dr.STONE」最終話
ご視聴ありがとうございました!!
＼

原作 #稲垣理一郎 先生
作画 #Boichi 先生より
イラストが到着！✨

約7年間、アニメ「Dr.STONE」を
応援いただきありがとうございました!!

最終第37話「未来を唆るもの」
このあとすぐ配信開始⚡
https://t.co/8djywKkeHG

#DrSTONE #DrSTONE最終回

[Hecatoncheires @Jaaaaaaager176]

@CHISORAKOKO3_15

[TRIGGER Inc. @trigger_inc]

【お知らせ📢】
株式会社トリガー オンライン会社説明会を行います。

ワクワーク(アニメ業界就職支援サービス)にご協力いただき、
演出助手、アニメーター、制作進行の３つの職種についてそれぞれ別日程で説明会を実施いたします。
アニメ業界に興味のある方はぜひご参加ください。

【開催日時】
①6/23(火)　18:00～21:00　※演出メイン
②6/30(火)　18:00～21:00　※アニメーターメイン
③7/7(火)　18:00～21:00　※制作進行メイン

実施方法：Google Meet

【応募締切】
各説明会の前日23:59まで

申し込みフォームはこちら✅
https://t.co/0d3aIK0iYL

[ドミノガーデ��/裁定つぶやき @Domiga_rule]

【公式裁定】相手場に「完全なる世界 トゥーン・ワールド」とトゥーンモンスターが存在し、自分が「マジックカード「クロス・ソウル」」『①：モンスター１体のA召喚を行う。その際、自分フィールドのモンスターの代わりに相手フィールドのモンスターをリリースする事もできる～』を発動した場合、クロス・ソウルの処理後までトゥーン・ワールド③でトゥーンモンスターを一時的に除外できる。そして、除外したトゥーンモンスターが相手場に戻り、その後、自分がアドバンス召喚を行う。
（トゥーン・ワールド③で除外され場に戻ったモンスターをリリースして、アドバンス召喚もできる）
#遊戯王 #遊戯王OCGルール情報 #トゥーン

[Hecatoncheires @Jaaaaaaager176]

@CHISORAKOKO3_15 ♡

[『無職転生Ⅲ ～異世界行ったら本気だす～』TVアニメ公式 @mushokutensei_A]

7月5日(日)放送開始 TVアニメ第3期
――――――――――――――――
『#無職転生Ⅲ
～異世界行ったら本気だす～』
――――――――――――――――
キービジュアル解禁!!

ルーデウスが見据えるは、
広がる世界、新たな冒険。

いよいよ放送が迫る第3期、お楽しみに！

https://t.co/hNYjFmTajr

[HARDCORE TANO*C @tanoc_official]

Yuta Imai @YutaImaiJP
HARDCORE TANO*C 加入決定！

#tanoc

[Hecatoncheires @Jaaaaaaager176]

@kamoikoto 我跌跌又倒倒，好比浪涛～♪

[谷間に咲くユリ @tanimaniYURI]

NTRエロ漫画の登場人物

[Hecatoncheires @Jaaaaaaager176]

@Summerkanna 下手轻了

[USAO@山奥 @USAO926]

『SUPERNOVA』デジタルリリース開始しました！
▶️DL/Subscription https://t.co/DIMcGo8FQi
▶️bandcamp https://t.co/G7OQuFzWgX
💿CD/グッズ: https://t.co/KsLpD1rQv0

[Hecatoncheires @Jaaaaaaager176]

@CHISORAKOKO3_15 😭

[USAO@山奥 @USAO926]

【スーパー告知】
M3春 USAOベストアルバム最新作

『SUPERNOVA』
2026.04.26 Release

SUPERNOVA (Extended Mix)を含む厳選した楽曲を収録したベストアルバム第3弾！
ロング化に加え、Yuta Imai、Joe Fight、Gram、Kobaryoによる豪華リミックスも収録した全21曲！
再録曲は全てリマスター版とかなりいい感じに！ぜひチェックしてください！
▶️XFD https://t.co/HjSNI0y5vl

▶️TANO*C STORE
https://t.co/OaHk6c43PR

[DJ Myosuke @myosuke]

【New Release】

音ゲー曲全詰めAlbum
『超EXTRA HARD』

新曲以外全て音ゲー！全21曲！
Break The Speakers、OUTRAGE等の
原曲に加え魔改造楽曲を収録😈🔊⚡️

↓全曲XFD