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Owen Hatherley on John Berger:
‘I have always found much of this subsequent work harder to take, caught between being moved by its hard humanity and irritated by its sententiousness.’
https://t.co/TVPRoMFORb
James Wham (@James_Wham) on Kleber Mendonça Filho's 'The Secret Agent':
'These stories started as a joke, of course, a bit of mischief, but the perna cabeluda soon became a metonym for unacknowledged state violence – a way of speaking the unsaid.'
https://t.co/TfPVV0XqlG
one of the most entertaining, wide-ranging and perceptive writers on film (and other subjects), James Wham @James_Wham reports from Karlovy Vary @KVIFF on *that* Kafka-retro for @FilmComment.
https://t.co/kltBh1GYIN
I wrote about Nuri Bilge Ceylan and his new film, About Dry Grasses - with word on the superfluous man, Turkish intellectuals, hope and hopelessness, a French clown - for Sidecar @NewLeftReview
https://t.co/ONHGCsnaVd
For the London-based monthly @Lit_Review, I asked @James_Wham — one of the most entertaining and intellectually inventive film critics around — to write a piece about Frank Herbert and Dune II. It’s excellent
https://t.co/fqrABF8Hm1
“Is Miyazaki a sleeper agent of the Freudo-Marxists, or is this just the nature of children’s films?”
@James_Wham@NewLeftReview on #TheBoyAndTheHeron
https://t.co/4xECMed9ng
Exemplary review-no hype. Clean, cold cuts of sentences. An ultimately disappointing film for me that didn't seem to know if wanted to be funny or not, but Reichardt is never funny. Williams is still our best current actress. @James_Wham https://t.co/zmgaB5QJlV
finally got around to reading @James_Wham's 3,000-word Cannes dispatch "Côte d’Illusion" (about this year's festival, etc etc etc etc).... and can now recommend you do the same.
https://t.co/Ss0zIlxICb
Went back to Cannes this year and had the strange sense of history repeating. Here's me from 1834, 1939, 2023, and some far-off century, for @thebafflermag
https://t.co/8V4PjcSAdR