Jayden

Layout Supervisor @ Industrial Light and Magic

[Jayden @JaydenBev]

I'm so happy seeing everyone's positive reactions to #TronAres

It's been a pretty big highlight for me leading the Layout team at @ILMVFX Sydney on this.
We sure did deliver a fantastic visual feast!

Hopefully some reels drop in the future to show off how we did it all!

[KeyFrame Staff List @KeyFrameStaff]

Witch Hat Atelier #05

Script: Hiroshi Seko
Storyboard / Episode Director: Kazuki Kawagoe
Assistant ED: Ai Hasegawa
Chief Animation Director: Kairi Unabara
8 ADs, 3 Ass. ADs
Dragon AD: Junpei Fukuchi

Full list: https://t.co/7GRlezDyft

#WitchHatAtelier

[monshu @simonchouchou]

『#リズと青い鳥』liz and the blue bird
〈naoko yamada, 2018〉

[monshu @simonchouchou]

lowkey the best movie i have ever seen 😭

[Miles | Anime by the Numbers @Real_Kilometers]

Yamada belongs on Criterion

[free 🇵🇸 @tdmybeloved]

HAPPY 17776 DAY!!!!!

[ash 🛰️🏈 @axopies_]

Happy Immortality Day! #football17776

[Emile Hirsch @EmileHirsch]

Speed Racer limited Theatrical re-release in April and new 4K dropping 5/19

I'm genuinely excited to see the film again on IMAX

[Jayden @JaydenBev]

Although I am deeply upset IMAX Sydney didn't take back the Southern Hemisphere largest-screen record when it reopened 😭

But I'm happy with us having spots #2 and #3 worldwide
(it's close but we're at least both in the Top 5)

[Jayden @JaydenBev]

I can't believe this "Global" Size comparison doesn't include the two 1.43 screens in Australia...
Melbourne's ~105ft x 76ft (with a 1570 projector ❤️)
& Sydney's new ~95ft x 78ft (digital only 🥲)

With both eclipsing most screens on this chart 🥱

[Adam Hlaváč @adamhlavac]

Man, seeing some of these really makes me want to hop around the world to see THE ODYSSEY.

[GKIDS Films @GKIDSfilms]

Two tales of love, friendship, and music from Naoko Yamada, LIZ AND THE BLUE BIRD and THE COLORS WITHIN, are now streaming on @StreamOnMax! 🌈

[Jayden @JaydenBev]

@AlecPloof Alec you're making me jealous of iOS users for the first time in a while 🤣

[۟ @nalbis]

everyone share your closest IMAX cinema, i’ll start

[IMAX @IMAX]

not my home but I know my way around

[normie 𓆏🦔 @KellytoyDK]

the truck and entire warehouse being cgi tells me the vfx breakdown for this movie is gonna be nuts

[Jayden @JaydenBev]

@shota_art Welcome!

[Jayden @JaydenBev]

Although I think I'm happy to take a break from the colour Red for a while 🤣

[Jayden @JaydenBev]

I'm so happy seeing everyone's positive reactions to #TronAres

It's been a pretty big highlight for me leading the Layout team at @ILMVFX Sydney on this.
We sure did deliver a fantastic visual feast!

Hopefully some reels drop in the future to show off how we did it all!

[Jayden @JaydenBev]

This was really fun to work on with some old friends, go check it out!
https://t.co/yK5SeR8zkj

[Jayden @JaydenBev]

@Andre_Shelf The *closest* example I can think of is Disney's work re-releasing The Lion King, Beauty and the Beast & The Little Mermaid. But 3D had mostly died in Australian theatres at that point, only coming back extremely recently

[Jayden @JaydenBev]

@Andre_Shelf It's a really interesting choice because in my opinion the 2d linework style of the show (and anime in general) doesn't have enough detail to sell the transition of depth from one element to another across the screen
Definitely already got tickets to watch it in IMAX3D though 😎