CITY WALLS – the new music video for Twenty One Pilots is out now.
This is probably the most unique cinematic experience I’ve ever been part of.
I feel incredibly proud and privileged to help tell the final chapter of this incredible story.
Check out this before-and-after video from our recent work on the “Blackhole” music video by Architects! While we started with a practical location, our team completely reimagined it into a whole new world.
Watch the stunning transformation!
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OUT NOW on MasterShot: Cinematographer Nick Matthews takes us into his process on
dissecting the shadows of SAW X and Mob Land, as well as teaching us horror’s visceral language and the balance of grit vs. blockbuster precision.
Link in bio.
BTS “Blackhole” by @Architects
Check out these exclusive shots for a sneak peek at the insane effort that went into bringing these visuals to life. Every detail was crafted to match the song’s raw intensity...
OUT NOW: Exclusive Interview on MasterShot!
In our premiere episode, we go behind the scenes with Grammy-nominated filmmaker Frank Borin
Watch now on the MasterShot YouTube channel!
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It’s been incredible working with a band I’ve loved for nearly a decade. ARCHITECTS’ music has been a huge inspiration to me over the years, and collaborating with them on this project was truly special.
Check out “Architects - Blackhole” now on YouTube!
Take a behind-the-scenes look with director Jensen Noen and director of photography Idan Menin at the making of the new Twenty One Pilots music video, "Paladin Strait," shot on #VRAPTORX.
“The RED V-RAPTOR X is a marvelous camera with impeccable low light abilities," said DP, Idan Menin. "Its low noise at higher ISO’s allowed us to recreate a day exterior Icelandic landscape on stage with fantastic results without breaking the budget. The Global Shutter opens new possibilities, and I'm excited to explore more!”
"I’ve been using RED cameras for over 10 years and love them for their versatility, user-friendliness, and top image quality," said director, Jensen Noen. "When the RAPTOR came out a few years ago, we bought both the regular and XL versions for our production company and have been using them for all our productions since. Most of my videos have a darker, edgier, and moodier vibe, and RED cameras have helped me find my personal look since they are the best on the market in low light. This gives me the freedom and flexibility to shape the image I want in post-production."
The music video for track 13 on Clancy is almost here. The never-before-seen video for Paladin Strait premieres on our YouTube channel today at 3pm ET. https://t.co/haAmhAowjQ