Jonn Deux

music producer | sound engineer | headies nominee 📧: [email protected] whatsapp: [phone]

[Jonn Deux @JonnDeux]

I usually have a cheap bluetooth speaker to test how my mixes will translate in imperfect environments.

My assistants blew the previous ones I had, they started sounding distorted when played at above 60% volume.

I got a new one a few days ago and it taught me something new

[Jonn Deux @JonnDeux]

@Michael_Excel Swear bro. Made me look twice

[we$ @skengwes_]

position out tomorrow ☝🏾💵
🎹: gloverboyy
👨🏾‍💻: @JonnDeux
🎨: @Dvtworldwide

[CJB, Esq. @CJoeBlack]

Since you all loved the breakdown of music recording contracts. I decided to do a breakdown of music sync licensing contracts. If your music will be in a film, tv, or ad, then you want to consider the below.

A Thread:

[Jonn Deux @JonnDeux]

@sleeplessip @jessealordiah Indulge me. What does it do differently from Pro Q for instance?

[Jonn Deux @JonnDeux]

@stillgoji Trust me, that’s very rational.

[Jonn Deux @JonnDeux]

@kwamemmnel @MrSoundHive It’s not hard to surmise this from all that’s happening.

The talent doesn’t want to work with the label anymore.

Counting from her first hit in 2022, do you think the label has made enough to recoup their investment?

[Chris De La Crème ⚖️ @justchrisaj]

there’s two sides of every story but when it’s your turn, invest over $100k for a 4-5yr duration in a young teenage female artiste’s career and allow that artiste tell you they’re done with the contract after two years. Since you’re an NGO.

[Jonn Deux @JonnDeux]

In 2025, someone said it costs around ₦100M to break an artist and success still isn’t guaranteed, regardless of the talent.

If you invested that and all returns in NG treasury bills for 4 years, you’d make close to your original capital as profit.

Music is insanely high risk.

[James @MrSoundHive]

Earned Not Given.
An album by @jaystuntonline is now out! A&R’d by yours truly. It’s also the first time I served as an executive producer on a musical project.

[Jonn Deux @JonnDeux]

@sknnymusic that sounds like the angle

[Jonn Deux @JonnDeux]

@sknnymusic Exactly, I don’t know what it is honestly.
it was an album when it dropped then GKMC was called his debut when it was announced.

I get it though, Interscope signed Kendrick after Section.80 and he blew properly after. So to a lot of people, GKMC felt like a debut.

[Jonn Deux @JonnDeux]

@d_angrymob @sknnymusic I honestly think these projects are hyped well enough.

[Jonn Deux @JonnDeux]

@sknnymusic It got talked about a lot when it dropped, it was well hyped.

I think the confusing mixtape/album status did it a disservice

[Bigfootinyourface 🦶🏾 @BigfootinURface]

Been working on stuff for the community BTS. However it seems Twitter is going to be retiring communities. So we are moving to WhatsApp. Join the community using the link below. It will bring you to the common room.

https://t.co/62wVubpPXF

[Mike E @heymike]

MUSIC INDUSTRY PRO TIP – Releasing music as an artist is a lot like building a startup in public.

There will never be a "perfect time" to launch.

The mix + master will likely never be "perfect".

Don't overthink it - make it sound as best as it can be and release consistently.

Iterate and make adjustments in real time.

Some of the best learning comes from taking massive action and adjusting along the way.

It may be bumpy but with action and consistency you'll look up in 12 months and be happy you started when you did.

[Jonn Deux @JonnDeux]

@NuellenowelloO True sha. Marimba na ancestor

[Jonn Deux @JonnDeux]

@sleeplessip @officialtrik @cbaforafrica @CTFoundtn @44db_collective When you’re big, you’re big

[Jonn Deux @JonnDeux]

@The_BeatOven Wizard 🧙

[we$ @skengwes_]

omoge out🏂💵 https://t.co/1Ma6zAqu1L