Iβm exhausted by this constant sale of epistemic revolutions, to be told everything is going to change from now on. Iβm exhausted to have to be amazed by nonsensical images, to pretend they change how I see the world as if the world I know is an image
https://t.co/y8xzTkW3Dl
@ChombaBupe Interesting, though I'm not convinced this was about morality...
If you're interested in something more critical on the topic, we just published this study of the political economy of style transfer in the illustration industry.
https://t.co/DLrkMio1Kc
If you want to know more about the AI side of style transfer and how it aligns with capitalist extraction in the creative industry, take a look at our #chi2025 paper:
https://t.co/JnbUHmdw4h
This week the world got Ghiblified, pointing to how styles are more than surfaces but essential parts of our cultural, political and economic lives
My PhD is about the political economy of how humans and machines see style in the US illustration industry, I have thoughts!
π§΅
If this week has taught us anything, is that styles are never "just" styles.
They are at the core of our cultural, political and economic lives and how we think about, and do things with them has a tremendous impact on our lives
(A real Miyazaki sketch to cleanse your feed.)
With all the Ghibli-style images in our thread, it's important to ask: How do artists perceive style transfer results? Who benefits from these results within the political economy of creative labor? Check out our #CHI25 paper for fresh insights! πβ¨
https://t.co/5f0AoNMhrh
With all the #Ghibli-fication of everything this week, it seems to be a good time to flag our paper on #styletransfer and #illustration (accepted for #chi2025). The takeaway:
Copying style = extracting value
https://t.co/DLrkMiozzK
Top 50 Most Read π: Why creative labour isnβt always seen as βreal workβ β and what that means for artists and designers > https://t.co/6BHPzpOos2