Commissions open ! ! !
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Well i got laid off a bit ago, and im aggressively applying for work. But anything will help ! ! !
#commission#commissionart
I actually really love this cutie... I think she should befriend Static Miku..
As much as I love the original song, I've been obsessed with @/vallyutaite 's cover!! Please give both a listen!!
Original
https://t.co/s26It3yBUg
Valley.exe's cover
https://t.co/tuS5bZJPoU
can I just say I love the concept of gross things like necrophilia explored in devotion-type loves; not the act itself, thats disgusting. But the pure love you have for someone to go that far
Sua's idealisation/worship of Mizi turning to objectification in this AU hammers in the unfortunate truth of Mizi's speech at the end of Karma.
I'm so excited to see where the next rounds take us and how different their relationships would be compared to Alien Stage
While their relationship in Alien Stage is so much more tragic compared to how it is in Zombie Stage, it is so fascinating to see their toxicity still thrive even when raised in a more "human" world, arguably to an even worst extent.
I have a lot more thoughts about all sorts of things elsewhere in the video but I'm all scatterbrained
It was nice seeing more of Sua's perspective and how she desperately wanted Mizi in her life no matter how much she was mistreated
MiziSua, my beloved toxic yuri ughhh
Instead of checking on Mizi, or undoing the binds around her face, Sua takes the opportunity to force herself onto Mizi. We then realise it's a pattern as we go through flashbacks. Sua takes the opportunity for intimacy when Mizi is either in distress or disassociating.
At the end, Sua, with her hands acting as a camera, stops right before Mizi's face, panning up from her lower half and focusing on the same places the nude(?) shots of Mizi spliced in between were. Even then, Mizi is still alive, gasping for air. And what does Sua do?
With Sua's hand camera imagery throughout the entire video, it's as if she's looking at Mizi through the same lens that the idol industry forced Mizi into. She herself came to see Mizi more as an object of desire than her loved one.