dear academics (mostly humanities):
you can heal from whatever traumas drove you into academia in the first place by releasing “academic” as an identity and letting it just be a job.
and whatever we thought it was is pretty much gone anyways.
It was a mistake to think the internet would render physical media superfluous. Websites disappear, studios delete movies, whole digital ecosystems can vanish in an instant. Buy print books, collect DVDs, there’s so much joy to be had in this tangible world.
a thread of (not quite all) films by Lillian Schwartz
because they are freaking amazing
& you can watch all of them here:
https://t.co/m74xn1nkmN
(TW ⚡️ some gifs are flashing)
PIXILLATION {1970}
💐RIP Lillian Schwartz, probably the greatest filmmaker to ever use a computer.
Most of her films are freely available to view on her website: https://t.co/5KWlV8jOSH
🚀New paper! ChatGPT's wildfire-like spread has led millions to develop new literacies to navigate this AI wilderness. Our open-access paper in Computers & Composition analyzes the emerging rhetorics of one such literacy: prompt writing on X/Twitter 🧵 (1) https://t.co/gFHmUDnRUZ
Just a reminder - we dont even have data on how many faculty in higher ed are disabled. Bc higher ed has made it too dangerous to disclose for most. For anyone worried that "too many" disabled ppl are making it in academia idk what else to say.
a lot of academics will have a keen-eyed structural analysis of breakfast cereals or barbie dolls but not when you ask them to think about their own profession and the context in which it operates
Accepting Submissions for the 10th Annual Feminist Border Arts Film Festival (#FBAFF) on FilmFreeway. Visit https://t.co/CcIPbV80Zm for more info. #filmfestival#nm
*deep breath* This is the most revealing, personal & vulnerable essays I have ever written about my body, desire & pain for Archer Magazine's resistance issue
Disability, pleasure and aging: The pleasure principle
https://t.co/t6STkpoRJz
Photo credit: María del Río