Este año quisiera dedicar más tiempo a ver más cine, anime, leer manga y comentarlos para así poder meditar sobre lo que consumo, no quiero que todo lo que veo quede en la nada misma sin una sola reflexión, aunque no tenga ni puta idea.
Entonces va hilo de visionados.
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All 40 chapters of “Koroshiya wa Kyou mo BBA o Korosenai.” have been translated/scanned (END)
“Rai Rai Rai” Mangaka
Makoto Nozawa: 77 years old, lives alone, favorite food: curry. Just your standard, slightly eccentric old woman…Except for the fact that she's targeted by assassins every day, and every day she gives it back to them threefold.
A humorous action story about the strongest old hag in history.
Buscamos 4 personas solidarias que nos ayuden a cubrir el alimento de hoy 🐶❤️
La idea es que cada persona done 1 bulto de alimento Nutrion (30kg) – $118.600
✅ Sin salir de casa
✅ Consignas directo a Nutrion
✅ Nos envías el comprobante
✅ Nosotros recogemos el alimento
Cada bulto ayuda a alimentar a nuestros peluditos 🐾
Si deseas donar 1 bulto, envianos un mensaje por Whatsapp 320 854 4084 y te compartimos las cuentas de NUTRION 🙏🏼
🚨🆘 La mamita y sus bebés quedaron hospitalizados
De 7 bebés ya perdimos a 2 💔 y 1 está muy grave, no sabemos si pase la noche 😭.
Cada día de hospitalización (para los 6) son $1.020.000 🆘.
La deuda actual es de $13.000 🚨.
Mañana tenemos que pagar mínimo $2.000.000 que no tenemos 😭.
Por favor, todo suma.
Buscamos 200 personas que donen $10.000
Pueden donar a través de
BRE B / NEQUI 3208544084
🎉🐾 ¡SORTEO SOLIDARIO! 🐾🎉
Todavía estás a tiempo de participar
Con tu participación ayudas a alimentar, cuidar y brindar atención veterinaria a los 250 perros rescatados de la Fundación San Roque. ❤️
🎟️ Valor de la boleta: $10.000
🎁 5 PREMIOS • 5 GANADORES
🥇 https://t.co/dkAf9w0KMl premio: Caja de 6 fresas con chocolate negro o blanco, cortesía del emprendimiento Dulce Bacatá. 🍓🍫
🥈 2.º premio: Aretes en cuero con broche en rodio, cortesía del emprendimiento Suntuaria. ✨
🥉 https://t.co/DYfyorPtl1 premio: Mix de snacks o Caja Deluxe + pañoleta para perro o gato (según el ganador), cortesía de Huellitas Fest. 🐶🐱
🏅 4.º premio: Matera con su planta (según disponibilidad), cortesía de El Jardín de Sussy. 🌿
🎖️ 5.º premio: Lámpara + buzo talla S de nuestra Boutique San Roque. 💙
📌 ¿Cómo funciona?
No debes escoger un número de boleta. Solo necesitamos tu nombre completo.
Si compras 3 boletas, tu nombre aparecerá 3 veces en la aplicación con la que realizaremos el sorteo, por lo que tendrás 3 oportunidades de ganar.
🎯 El sorteo se realizará el viernes 31 de julio a las 7:00 p. m., mediante una ruleta virtual, totalmente en vivo a través de nuestro Instagram.
📲 Escríbenos por WhatsApp para participar:
320 854 4084
Cada boleta representa una oportunidad para ganar y, al mismo tiempo, ayudar a que nuestros peludos sigan recibiendo alimento, refugio y atención.
¡Gracias por apoyar esta causa y por creer en nuestra labor! 🐾❤️
this page is one of the most important moments for understanding sukuna because, for the first time, he admits that his life was not predetermined. many readers reduce this scene to “he regrets nothing,” when what he actually says is far more nuanced.
“actually… no. i had different paths i could have traversed. two, to be precise.” that single line destroys the idea that sukuna became who he is because fate forced him to. he acknowledges choice. there were alternatives. he simply did not take them.
what makes this interesting is that he never says he chose wrong. he merely admits that other possibilities existed. there is no self pity, no attempt to excuse himself with childhood trauma or destiny. unlike many villains who shift responsibility onto circumstance, sukuna accepts ownership over his life without apologizing for it.
the panel composition reinforces this.
behind him stand yorozu and uraume, two people who loved him in entirely different ways.
yorozu ( that’s what’s I think )represents unconditional affection, obsession, someone who wanted to reach him emotionally.
uraume represents unwavering loyalty, devotion without demanding that sukuna become someone else.
they stand on opposite sides of him, almost like two roads branching away from the same point. sukuna never looks at either of them. his eyes remain forward. even while acknowledging those paths, he doesn’t turn toward them. visually, gege is showing that sukuna recognizes those possibilities but has already moved beyond them.
then comes perhaps the most revealing line.
“i feared my own curse would immolate me.”
people often read “curse” here as cursed energy, but it reads more like the nature within him, the insatiable hunger, violence, and desire that define his existence. even sukuna understood that if he tried to suppress who he fundamentally was, it would destroy him from the inside.
that’s exactly why the final line matters.
“and yet, i couldn’t help but spit out the curses stirring deep within my viscera.”
it’s an incredibly physical metaphor. not his heart. not his mind. his viscera, his guts, his very core. hatred, violence, instinct, they’re described as something living inside him that has to be expelled. it almost sounds involuntary, like breathing or vomiting. he’s not saying, “i wanted to become a monster.” he’s saying that denying those impulses would’ve been the greater torment.
this is why sukuna’s philosophy has always been about authenticity, no matter how horrific that authenticity is. he would rather become the most feared person in history than live a life that betrays what he believes himself to be.
that’s also why he respects strength so deeply. to him, strength is what allows someone to live honestly. weakness forces compromise. compromise is a denial of the self. in sukuna’s eyes, that’s a fate worse than death.
this panel isn’t about redemption, nor is it about regret. it’s about self awareness. sukuna understands there were other lives he could have lived. he simply refuses to pretend he wanted them. + another detail i rarely see people mention is gege’s visual storytelling. whenever sukuna’s more human side is allowed to surface, gege consistently draws him with his normal face. the deformed bone growth covering the right side of his face is either reduced or absent altogether. when sukuna fully embraces the role of the calamity, however, gege emphasizes that monstrous side again, bringing the bone growth back into focus. it’s a subtle visual language that reflects which aspect of sukuna gege wants us to pay attention to. in this scene, where sukuna is reflecting on his own choices rather than reveling in destruction, his human face is what takes center stage.
270 perros dependen de tu solidaridad 🙏🏼
Las necesidades más importantes que tenemos en la fundación son:
🐾 Alimento ($475.000 diarios)
🐾 Agua ($390.000 quincenales)
🐾 Veterinaria (deuda actual $13.000.000)
No pedimos donaciones enormes, solo lo que deseen y puedan donar.
Pensarán que $1.000 es poco pero para nosotros todo suma.
Si 1.000 personas donan $13.800 podemos lograr la meta de: comprar alimento para mañana, pagar el agua para los próximos 15 días y pagar la deuda veterinaria.
Dona a través de
BRE B 320 803 3217
Todo suma, todo ayuda, y nuestros 270 perros te lo agradecen ❤️🩹
Me hace extremadamente feliz poder deciros que he sido quien ha estado detrás de la redacción del libro de Jujutsu Kaisen de la colección de RBA.
Enormemente agradecido al equipo de editoras y editores por su ayuda, guía y confianza en mi <333
Ojalá os guste tanto como a mi :D