![Alan__Rickman__'s tweet photo. “During a costume consultation between Alan Rickman and Judianna Makovsky, had two firm requests-the sleeves should be tight, and there should be lots of buttons
"I wanted great care taken in every aspect of the character, both psychological and practical," Rickman explains. "The cut of the hair, the length of the dress robes, the makeup." Rickman considers that his costume is an important part of the very focused life that Snape has led.
"You know that he lives a solitary kind of existence, you're not quite sure what the details of that are. He doesn't have much of a social life, and clearly, he's only got one set of clothes," he ends with a laugh. "The costume helped me to understand somebody who lives absolutely alone Whereas the different costume designers made all sorts of changes through the films to the characters, my costume stayed exactly the same for all eight films. And it helped me thinking that's the only thing hanging in his wardrobe."
Judianna Makovsky decided that while Dumbledore was very medieval, Snape would follow the Dickensian style. His severe gown is made from traditional academic fabric, ironed until it develops an unusual shine; it is actually a dark blue, which photographs black on film. Buttons run up to his neck, up his long sleeves, and even on his pants over his boots. Snape's robes showcase one very unique element. *We lengthened and split the train so that when he walks, you see these two little tongues that come out, like a snake's forked tongue," she explains. "So in a way, he literally slithers out of a room."
The costume designer Jany Temime started on Harry Potter and the Prisoner of Azkaban and worked all the way through Harry Potter and the Deathly Hallows – Part 2. She calls the design of Snape's outfit "a winner. He's a man who never explodes out of his clothes, so he must wear something extremely strict and precise." Rickman concurs. "He lives within very tight confines— physically as well as emotionally." He also offers a practical appreciation for his wardrobe.
"Leavesden Studios didn't have the best heating system in the world, so I was more fortunate than others with my costume, which was always pretty warm." Alan Rickman would arrive on set in full costume and makeup. "I was very aware that the kids were confronted by the Snape-ness of me," Rickman explains, "so it took a while for them to know that there was somebody else underneath it all."
(The book ‘Harry Potter : the character vault’, 2015)
Jany Temime: “I never changed Professor Snape. I used the Professor Snape costume and I remade it. I made another cape. I always kept Professor Snape [as he was], because I thought it was a great costume.
I will always remember, we were shooting in a bathroom and [Malfoy] is on the floor,” Temime continued, presumably referring to when Malfoy and Harry faced off in Harry Potter and the Half-Blood Prince. “Then, Alan runs with the cape on top of his costume. He crawls on the floor and he leans next to the shape on the ground. He did that 20 times, and 20 times the cape was exactly, precisely draped on the floor in a perfect position. I think you have to be a Shakespearean actor to do that.”
(‘HelloGiggles’, 2017)](https://pbs.twimg.com/media/GYywUCyWIAIRzNI.jpg)
![Alan__Rickman__'s tweet photo. “During a costume consultation between Alan Rickman and Judianna Makovsky, had two firm requests-the sleeves should be tight, and there should be lots of buttons
"I wanted great care taken in every aspect of the character, both psychological and practical," Rickman explains. "The cut of the hair, the length of the dress robes, the makeup." Rickman considers that his costume is an important part of the very focused life that Snape has led.
"You know that he lives a solitary kind of existence, you're not quite sure what the details of that are. He doesn't have much of a social life, and clearly, he's only got one set of clothes," he ends with a laugh. "The costume helped me to understand somebody who lives absolutely alone Whereas the different costume designers made all sorts of changes through the films to the characters, my costume stayed exactly the same for all eight films. And it helped me thinking that's the only thing hanging in his wardrobe."
Judianna Makovsky decided that while Dumbledore was very medieval, Snape would follow the Dickensian style. His severe gown is made from traditional academic fabric, ironed until it develops an unusual shine; it is actually a dark blue, which photographs black on film. Buttons run up to his neck, up his long sleeves, and even on his pants over his boots. Snape's robes showcase one very unique element. *We lengthened and split the train so that when he walks, you see these two little tongues that come out, like a snake's forked tongue," she explains. "So in a way, he literally slithers out of a room."
The costume designer Jany Temime started on Harry Potter and the Prisoner of Azkaban and worked all the way through Harry Potter and the Deathly Hallows – Part 2. She calls the design of Snape's outfit "a winner. He's a man who never explodes out of his clothes, so he must wear something extremely strict and precise." Rickman concurs. "He lives within very tight confines— physically as well as emotionally." He also offers a practical appreciation for his wardrobe.
"Leavesden Studios didn't have the best heating system in the world, so I was more fortunate than others with my costume, which was always pretty warm." Alan Rickman would arrive on set in full costume and makeup. "I was very aware that the kids were confronted by the Snape-ness of me," Rickman explains, "so it took a while for them to know that there was somebody else underneath it all."
(The book ‘Harry Potter : the character vault’, 2015)
Jany Temime: “I never changed Professor Snape. I used the Professor Snape costume and I remade it. I made another cape. I always kept Professor Snape [as he was], because I thought it was a great costume.
I will always remember, we were shooting in a bathroom and [Malfoy] is on the floor,” Temime continued, presumably referring to when Malfoy and Harry faced off in Harry Potter and the Half-Blood Prince. “Then, Alan runs with the cape on top of his costume. He crawls on the floor and he leans next to the shape on the ground. He did that 20 times, and 20 times the cape was exactly, precisely draped on the floor in a perfect position. I think you have to be a Shakespearean actor to do that.”
(‘HelloGiggles’, 2017)](https://pbs.twimg.com/media/GYywUCxWoAA9npx.jpg)
![Alan__Rickman__'s tweet photo. “During a costume consultation between Alan Rickman and Judianna Makovsky, had two firm requests-the sleeves should be tight, and there should be lots of buttons
"I wanted great care taken in every aspect of the character, both psychological and practical," Rickman explains. "The cut of the hair, the length of the dress robes, the makeup." Rickman considers that his costume is an important part of the very focused life that Snape has led.
"You know that he lives a solitary kind of existence, you're not quite sure what the details of that are. He doesn't have much of a social life, and clearly, he's only got one set of clothes," he ends with a laugh. "The costume helped me to understand somebody who lives absolutely alone Whereas the different costume designers made all sorts of changes through the films to the characters, my costume stayed exactly the same for all eight films. And it helped me thinking that's the only thing hanging in his wardrobe."
Judianna Makovsky decided that while Dumbledore was very medieval, Snape would follow the Dickensian style. His severe gown is made from traditional academic fabric, ironed until it develops an unusual shine; it is actually a dark blue, which photographs black on film. Buttons run up to his neck, up his long sleeves, and even on his pants over his boots. Snape's robes showcase one very unique element. *We lengthened and split the train so that when he walks, you see these two little tongues that come out, like a snake's forked tongue," she explains. "So in a way, he literally slithers out of a room."
The costume designer Jany Temime started on Harry Potter and the Prisoner of Azkaban and worked all the way through Harry Potter and the Deathly Hallows – Part 2. She calls the design of Snape's outfit "a winner. He's a man who never explodes out of his clothes, so he must wear something extremely strict and precise." Rickman concurs. "He lives within very tight confines— physically as well as emotionally." He also offers a practical appreciation for his wardrobe.
"Leavesden Studios didn't have the best heating system in the world, so I was more fortunate than others with my costume, which was always pretty warm." Alan Rickman would arrive on set in full costume and makeup. "I was very aware that the kids were confronted by the Snape-ness of me," Rickman explains, "so it took a while for them to know that there was somebody else underneath it all."
(The book ‘Harry Potter : the character vault’, 2015)
Jany Temime: “I never changed Professor Snape. I used the Professor Snape costume and I remade it. I made another cape. I always kept Professor Snape [as he was], because I thought it was a great costume.
I will always remember, we were shooting in a bathroom and [Malfoy] is on the floor,” Temime continued, presumably referring to when Malfoy and Harry faced off in Harry Potter and the Half-Blood Prince. “Then, Alan runs with the cape on top of his costume. He crawls on the floor and he leans next to the shape on the ground. He did that 20 times, and 20 times the cape was exactly, precisely draped on the floor in a perfect position. I think you have to be a Shakespearean actor to do that.”
(‘HelloGiggles’, 2017)](https://pbs.twimg.com/media/GYywUCwXEAUEq2Y.jpg)
Olivia
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Leally
@Leally_Ec
yo soy
Guayaquil, Ecuador
Joined September 2016
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La IA pensando cómo sacar de la V.. a Ecuador 🇪🇨❤️
Tuxedo 😻🤵🏼♂️
“During a costume consultation between Alan Rickman and Judianna Makovsky, had two firm requests-the sleeves should be tight, and there should be lots of buttons
"I wanted great care taken in every aspect of the character, both psychological and practical," Rickman explains. "The cut of the hair, the length of the dress robes, the makeup." Rickman considers that his costume is an important part of the very focused life that Snape has led.
"You know that he lives a solitary kind of existence, you're not quite sure what the details of that are. He doesn't have much of a social life, and clearly, he's only got one set of clothes," he ends with a laugh. "The costume helped me to understand somebody who lives absolutely alone Whereas the different costume designers made all sorts of changes through the films to the characters, my costume stayed exactly the same for all eight films. And it helped me thinking that's the only thing hanging in his wardrobe."
Judianna Makovsky decided that while Dumbledore was very medieval, Snape would follow the Dickensian style. His severe gown is made from traditional academic fabric, ironed until it develops an unusual shine; it is actually a dark blue, which photographs black on film. Buttons run up to his neck, up his long sleeves, and even on his pants over his boots. Snape's robes showcase one very unique element. *We lengthened and split the train so that when he walks, you see these two little tongues that come out, like a snake's forked tongue," she explains. "So in a way, he literally slithers out of a room."
The costume designer Jany Temime started on Harry Potter and the Prisoner of Azkaban and worked all the way through Harry Potter and the Deathly Hallows – Part 2. She calls the design of Snape's outfit "a winner. He's a man who never explodes out of his clothes, so he must wear something extremely strict and precise." Rickman concurs. "He lives within very tight confines— physically as well as emotionally." He also offers a practical appreciation for his wardrobe.
"Leavesden Studios didn't have the best heating system in the world, so I was more fortunate than others with my costume, which was always pretty warm." Alan Rickman would arrive on set in full costume and makeup. "I was very aware that the kids were confronted by the Snape-ness of me," Rickman explains, "so it took a while for them to know that there was somebody else underneath it all."
(The book ‘Harry Potter : the character vault’, 2015)
Jany Temime: “I never changed Professor Snape. I used the Professor Snape costume and I remade it. I made another cape. I always kept Professor Snape [as he was], because I thought it was a great costume.
I will always remember, we were shooting in a bathroom and [Malfoy] is on the floor,” Temime continued, presumably referring to when Malfoy and Harry faced off in Harry Potter and the Half-Blood Prince. “Then, Alan runs with the cape on top of his costume. He crawls on the floor and he leans next to the shape on the ground. He did that 20 times, and 20 times the cape was exactly, precisely draped on the floor in a perfect position. I think you have to be a Shakespearean actor to do that.”
(‘HelloGiggles’, 2017)
Las probabilidades de que la viruela del mono se propague fuera del continente africano son muy bajas, no hay nada de que preocuparse.
Guayaquil la semana que viene:
¿Sabías qué, reciclar una botella de plástico es como salvar una tortuga ninja en apuros? Únete y sé un héroe de la naturaleza, seamos responsables y más conscientes. ¡Seamos como Michelangelo, un héroe ambiental!
#RSE5CpaUnemi
@cevazf
@ShevaStark Happy birthday 🎂💗
@ShevaStark para mi, estoy obsesionada con Lewis :(
@ShevaStark Me pasa igual LOL
@CapaldiLatam Esto no es gracioso 🙄 dime por favor que es una broma de mal gusto xd
@CapaldiLatam Estoy que me cago de la emoción
@ShevaStark Es probable que lo veamos haciendo comedia, eso espero :c
@ShevaStark Escribeme cuando quieras;)
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