laurefry

❤️

[𝐂𝐚𝐦🛸 @futttini]

Pensar que un día la vimos por primera vez en violetta “casándose” y ahora se nos casa de verdad, que lindo😭💜

[jasmin🪷 @jassmmiinnxx]

A curious girl, a wanderer.🧜🏼‍♀️🦀🪸

[2000s 🇺🇸 @PopCulturetini]

Las eras de la carrera de tini Stoessel

☆VIOLETTA ☆TINI TINI TINI
☆TINI ☆CUPIDO
☆QUIERO VOLVER ☆UMDP

[𝕃𝕠𝕣𝕕 𝔸𝕞𝕕𝕚 ♛ @amdi___]

Pov : comment j'imaginais le mur de berlin dans les cours d'histoire

[dico @diexe]

cuando era chiquita AMABA está película y de grande el internet me rompió el corazón pq descubrí que muchos la odian no saben una mierda del goce

[scarlett 🍒 @rvdlovess]

imagine being 17 years old and your first role out of the gate is starting opposite julie andrews and it becomes a well loved classic she was ALWAYS ment to be a star

[Aria @ariafairyx]

They don't make animations like this anymore, and it's really sad.

[❀ @calmvisualss]

Forever remember Ariel was the only Disney princess to become a mother🫶

[Disney Filmatic @DisneyFilmatic]

With Mary Blair doing concept art, Cinderella was sure to be a cinematic masterpiece 👠✨

Walt Disney’s Cinderella (1950)

[old toons @oldtoons_]

To think someone took the time to draw every step, every sidewalk tile, just to be seen for a brief moment in a scene. Very little modern animation compares to this.

[James Lucas @JamesLucasIT]

Nobody has ever made the dark feel as real as old Disney did.

In these films the night isn't an absence of light. It's a color, and someone mixed it by hand…

Disney had its own paint laboratory, built by a woman named Mary Weiser, the first of its kind in animation. Its job was to invent shades that did not exist yet. In the early thirties, when the studio was still making shorts, there were around eighty shades on the shelves. By the time they finished Snow White there were fifteen hundred.

Every one of them went on by hand, cel by cel, and each cel needed hours to dry before it could be photographed.

The Ink and Paint department was almost entirely women. According to the Walt Disney Family Museum, the paints were sometimes named after them, and to have a color carry your name was considered an honour.

So the dark of Bambi's forest, the lamplight in Geppetto's workshop, the blue at Cinderella's attic window: none of it is a filter or a setting or a dimmer turned down. Each is a specific colour that a specific person mixed in a jar, and some of those jars had her name on the label.

That is why these scenes still feel more alive than anything made since. We went from hands, to computers, to AI, and at every step there is a little less of the person left in it…

The author Joanna Maciejewska said it better than anyone: "I want AI to do my laundry and dishes so that I can do art and writing, not for AI to do my art and writing so that I can do my laundry and dishes."

[cнєєкυ⋆｡🪐˚ ⋆ @Okay_Bye___]

"why are u so dramatic?"

The movies that raised me:

[Disney Filmatic @DisneyFilmatic]

The “before” dresses in Disney 👗✨

[brilu @hnybrii]

como se veía ser nena en 2013

[juju🌴 @jujubazofc]

quando eu tenho flashbacks de uma cena aleatória e tenho que vasculhar minha memória pra ver se foi de um livro que li, um filme que vi, ou um cenário que eu inventei do nada

[Disney Filmatic @DisneyFilmatic]

The coziest homes in classic Disney 🏠✨

[acervo soy luna @acervosoyluna]

unicas coisas boas que a argentina proporcionou

[Disney Filmatic @DisneyFilmatic]

Wicked scenes in classic Disney films ✨

[Áɢ 𐙚 @agsurtos]

Dizem que a Bela se apaixonou pela Fera porque aprendeu a enxergar além da aparência. Esquecem que ela sempre foi apaixonada por conhecimento, empatia e profundidade. O Gaston era bonito, mas desprezava tudo o que ela amava.

[princesstherapy @princessstherap]

Some parents leave too soon, but their love never does.