@BugmanMD I don’t think I’ve gone through any attempt with this one without being annoyed for the vast majority of the runtime. I just don’t think it’s good, but then again INLAND EMPIRE and TP:TR are the only ones I find so remarkable.
@poshspicelatte She’s annoying and her schtick is definitely a performance but she truly is gorgeous and her sabrina carpenter impression is so so funny
@BugmanMD Chinese Bookie is one of the better ones tbh; the worst offenders are the gena rowlands ones with the comically large actorly nonsense. Method acting is unforgivable in my book.
@BugmanMD Just checked my LB and apparently I had the same reaction to RIDE THE HIGH COUNTRY as I did MD but I had somehow forgotten the former existed. I only saw the first of THE WESTERNER eps and remember really liking it but wasn't in the right headspace. I should give it another go.
July Favorites:
1. POLICE OFFICER (Uchida)
2. HARD LABOUR (Leigh)
3. COME AND GET IT (Hawks, Wyler)
4. THE PALEFACE (Keaton, Cline)
5. CARNAL KNOWLEDGE (Nichols)
6. LES RENDEZ-VOUS D’ANNA (Akerman)
HARD LABOUR: So fascinated by Leigh’s framing here. The textural grittiness always at odds with the exaggerated/stylized performances. I can’t help but wonder whether he’s shooting *against* the performance style. Either way, the effect is pretty potent.
June Favorites:
1. TANGE SAZEN AND THE POT WORTH A MILLION RYO (Yamanaka).
2. THE LOVE NEST (Keaton, Cline).
3. THE SCARECROW (Keaton, Cline).
4. AUTOEROTIC (Swanberg).
5. JUDEX (Feuillade).
6. ASTEROID CITY (Anderson).
7. THE GOAT (Keaton, St. Clair).