呱²

俺の歴史に…また1ページ！！！

[呱² @LonerXa]

PANDORA PARADOXXX MASTER ALL PERFECT！

心累 第一次用到嘉義的包台
心得老樣子都在FB發了 這邊就不提太多

之後希望可以輕鬆一點
望向双舞舞的餘一......算了 當我沒說

[呱² @LonerXa]

@CTS_TOAST 宣布停止營運

[NANO-ナノ-OFFICIAL @nanonano_me]

If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏

If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets.
There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally.

Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any.

It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside.

More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist.
I’m not trying to ask for pity, nor demand anything, unless this resonates with you.
But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple.

Please go follow artist’s socials.
Please go subscribe to their Youtube channels.
Please find them on Spotify.
Please interact with them by commenting and letting them know you’re there to support them.
Please share your passion with the people around you.
AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage.
I am not exaggerating when I say it IS a miracle and it might never happen again.

I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation.

Thanks for listening, if you made it this far🫶
Let’s keep Rocking On.
NANO

[마이마이디럭스 @maimaidx00]

PANDORA PARADOXXX
MASTER 理論値!!!!!!!!!! 제가 해냈습니다! 정말 기뻐요 ㅠㅠㅠㅠ

[WaP/わぷわぷ@新刊『甘園房 合同誌』『ボイスコミックASMR��DLsiteにて発売中 @white_and_pink]

ゆかりママ先生とラブラブ添い寝おねんね…💕

[呱² @LonerXa]

@CTS_TOAST 教我

[呱² @LonerXa]

Re:Unknown X MASTER AP

練了好久 結果突然就AP了
14+越打越辛苦了 恨身體

[つきーほ @Prsks2005]

【宴】Straight into the lights【即】
理論値ALL PERFECT‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️

俺と言えば研究、研究と言えば俺。

やり遂げました。最速！！！！！！

[ハル @ReMiRiA_maimai]

人生で初めてMASTER初見でら理出た 普通にめちゃくちゃ嬉しい

[呱² @LonerXa]

@CTS_TOAST 羨慕手速

[V!C @tatamitako_ViC]

@b0ns3r 曲師路過表示：喜歡音G曲的人，大家都該去聽聽2000-2010音G的內容。plz
DJ max一大票Sense很棒的曲子。
當代短影音影響跟製作樂曲方式，已經不是像過去那種音樂有主題性的流暢。
而且自從電競化的開始，多數歌已經為塞而塞。為了要能夠入選徵曲，特定製作人的風格已經被公式化的玩爛。

[呱² @LonerXa]

@CTS_TOAST 🥲

[骸-Mukuro🎀💘 @losttechnology1]

15万分の1🙄

[プロジェクトセカイ カラフルステージ！ feat. 初音ミク【プロセカ】 @pj_sekai]

プロジェクトセカイ
× DEEMO × Cytusシリーズ
タイアップ楽曲追加情報✨

「ANiMA」を追加💿

📺番組生配信���：https://t.co/otsrb9Ef7i
#プロセカ放送局

[呱² @LonerXa]

@CTS_TOAST 我晚點再丟

[呱² @LonerXa]

ヤミナベ MASTER AP
Lv.14 ALL PERFECT確定
這代的大目標大概就是打完這個
然後維持住AP框

下代開始就隨便了

然後圖靈再P

[呱² @LonerXa]

@CTS_TOAST 有啊

[呱² @LonerXa]

@CTS_TOAST 🥲

[呱² @LonerXa]

@CTS_TOAST Maimai在幹嘛

[Kan / EMA @KAN__EMA]

페스타 시즌2가 끝났어요~ 결국 맞상대하던팀은 점수가 내려갔지만 아무튼 1등했네요 정신없이 하다가 10쓰도 지나가버렸지만 (제대로 플레이한것 제외하면 대략 2500~2800인듯?) 전세계 40명만 가질수있는 칭호 따서 기분은좋네요 ㅎㅎ 칭호 얻은 사진은 퇴근하구 싸이가서 찍을게요~~