Major Kobayashi

i like dissolve
Visual artist /Graphic Designer /Filmmaker

[Major Kobayashi @majorK08]

First opening for THE DRIFTER.

A broken world.
A buried war.
Three survivors walking toward something bigger than themselves.
#thedrifter #dreaminaCPP @dreamina_ai

[Major Kobayashi @majorK08]

@FumariumX @LeValet_Imagine great work mate ❤️

[Major Kobayashi @majorK08]

@LeValet_Imagine @FumariumX Merci beaucoup mon frère, je vais prendre le temps de l’étudier en détail. 😍

[Major Kobayashi @majorK08]

i love this

[Maririn~ @TopGyaru]

They're doing this to you tomorrow

[Major Kobayashi @majorK08]

@AIFutureVine Bang Bang 💥 https://t.co/4SFI4rFGho

[Major Kobayashi @majorK08]

A field test from my original world: THE DRIFTER.
This sequence is called EMBERLINE SURFACE OPERATION: GOD-HARVEST.

An underground rebel army drags its war machines up to the dead surface to do one thing: chain a God Beast long enough to crack open its chest and steal the fire inside. Harpoon tanks. Steel cables. Exo-suits. Artillery. Extraction teams. Everything thrown at a single creature just to hold it still.

I built this whole test inside Dreamina Octo paired with Dreamina Seedance 2.0. What surprised me wasn't generating clips, it was never leaving the flow. I could drop in a sketch, a reference frame, a line of story, or just talk a shot through, and Octo read the direction with me and pushed it further instead of resetting every time. References, creature design, location sheets, shot logic, battlefield editing, and the final shots all lived on one canvas: story → assets → storyboard → screen, without switching tools or losing the thread.

That's the part of Vibe Create that actually felt like directing, less prompting in isolation, more standing inside a living workspace and shaping it.

Built with Dreamina Octo + Dreamina Seedance 2.0.
#thedrifter
@dreamina_ai
#DreaminaOcto #DreaminaSeedance2 #DreaminaOctoVibeCreate #DreaminaCPP #DreaminaAI

[Major Kobayashi @majorK08]

@RobotCleopatra Boomm 🙏https://t.co/4SFI4rFGho

[Major Kobayashi @majorK08]

A field test from my original world: THE DRIFTER.
This sequence is called EMBERLINE SURFACE OPERATION: GOD-HARVEST.

An underground rebel army drags its war machines up to the dead surface to do one thing: chain a God Beast long enough to crack open its chest and steal the fire inside. Harpoon tanks. Steel cables. Exo-suits. Artillery. Extraction teams. Everything thrown at a single creature just to hold it still.

I built this whole test inside Dreamina Octo paired with Dreamina Seedance 2.0. What surprised me wasn't generating clips, it was never leaving the flow. I could drop in a sketch, a reference frame, a line of story, or just talk a shot through, and Octo read the direction with me and pushed it further instead of resetting every time. References, creature design, location sheets, shot logic, battlefield editing, and the final shots all lived on one canvas: story → assets → storyboard → screen, without switching tools or losing the thread.

That's the part of Vibe Create that actually felt like directing, less prompting in isolation, more standing inside a living workspace and shaping it.

Built with Dreamina Octo + Dreamina Seedance 2.0.
#thedrifter
@dreamina_ai
#DreaminaOcto #DreaminaSeedance2 #DreaminaOctoVibeCreate #DreaminaCPP #DreaminaAI

[Dreamina AI @dreamina_ai]

Introducing Dreamina Octo!

A new chapter in creation begins.
Dreamina Octo is officially in beta, launching alongside Dreamina Seedance 2.0.
Not just generating.
Exploring. Shaping. Creating.

In Dreamina Octo, the point was never about getting things done — it's the creative flow between you and what you're making.

-->Advanced subscribers can start creating now, and everyone else can explore a demo project for a first look as access continues to roll out.

-->Available now across Southeast Asia, the Middle East, Africa, Europe, and South America. More regions coming soon.

--> RT + Comment within 12h to get 1000 extra credits via DM for the first 200 users only. Also, from the top-liked comments, 10 lucky winners get 1 month of Dreamina Premium！

[Major Kobayashi @majorK08]

@SupportMarkets here mine 💙 https://t.co/fjPo5AL6lD

[Major Kobayashi @majorK08]

A field test from my original world: THE DRIFTER.
This sequence is called EMBERLINE SURFACE OPERATION: GOD-HARVEST.

An underground rebel army drags its war machines up to the dead surface to do one thing: chain a God Beast long enough to crack open its chest and steal the fire inside. Harpoon tanks. Steel cables. Exo-suits. Artillery. Extraction teams. Everything thrown at a single creature just to hold it still.

I built this whole test inside Dreamina Octo paired with Dreamina Seedance 2.0. What surprised me wasn't generating clips, it was never leaving the flow. I could drop in a sketch, a reference frame, a line of story, or just talk a shot through, and Octo read the direction with me and pushed it further instead of resetting every time. References, creature design, location sheets, shot logic, battlefield editing, and the final shots all lived on one canvas: story → assets → storyboard → screen, without switching tools or losing the thread.

That's the part of Vibe Create that actually felt like directing, less prompting in isolation, more standing inside a living workspace and shaping it.

Built with Dreamina Octo + Dreamina Seedance 2.0.
#thedrifter
@dreamina_ai
#DreaminaOcto #DreaminaSeedance2 #DreaminaOctoVibeCreate #DreaminaCPP #DreaminaAI

[Major Kobayashi @majorK08]

@DDNowhere @GlennHasABeard Elegant piece mate 💙

[Major Kobayashi @majorK08]

@JIMMYEDGAR AI its just golden oppoturnity for one with vision and story, my fiction world come to light with it 🔥 https://t.co/fjPo5AL6lD

[Major Kobayashi @majorK08]

A field test from my original world: THE DRIFTER.
This sequence is called EMBERLINE SURFACE OPERATION: GOD-HARVEST.

An underground rebel army drags its war machines up to the dead surface to do one thing: chain a God Beast long enough to crack open its chest and steal the fire inside. Harpoon tanks. Steel cables. Exo-suits. Artillery. Extraction teams. Everything thrown at a single creature just to hold it still.

I built this whole test inside Dreamina Octo paired with Dreamina Seedance 2.0. What surprised me wasn't generating clips, it was never leaving the flow. I could drop in a sketch, a reference frame, a line of story, or just talk a shot through, and Octo read the direction with me and pushed it further instead of resetting every time. References, creature design, location sheets, shot logic, battlefield editing, and the final shots all lived on one canvas: story → assets → storyboard → screen, without switching tools or losing the thread.

That's the part of Vibe Create that actually felt like directing, less prompting in isolation, more standing inside a living workspace and shaping it.

Built with Dreamina Octo + Dreamina Seedance 2.0.
#thedrifter
@dreamina_ai
#DreaminaOcto #DreaminaSeedance2 #DreaminaOctoVibeCreate #DreaminaCPP #DreaminaAI

[Major Kobayashi @majorK08]

@Dustfinger2077 thank you mate 💙

[Major Kobayashi @majorK08]

@QamarRiaz1 thank you mate for your comment 💙 Dreamina Octo help me alot on this 🔥

[Major Kobayashi @majorK08]

@LeValet_Imagine 😛😛

[Major Kobayashi @majorK08]

@DDNowhere thanks mate 💙

[Major Kobayashi @majorK08]

A field test from my original world: THE DRIFTER.
This sequence is called EMBERLINE SURFACE OPERATION: GOD-HARVEST.

An underground rebel army drags its war machines up to the dead surface to do one thing: chain a God Beast long enough to crack open its chest and steal the fire inside. Harpoon tanks. Steel cables. Exo-suits. Artillery. Extraction teams. Everything thrown at a single creature just to hold it still.

I built this whole test inside Dreamina Octo paired with Dreamina Seedance 2.0. What surprised me wasn't generating clips, it was never leaving the flow. I could drop in a sketch, a reference frame, a line of story, or just talk a shot through, and Octo read the direction with me and pushed it further instead of resetting every time. References, creature design, location sheets, shot logic, battlefield editing, and the final shots all lived on one canvas: story → assets → storyboard → screen, without switching tools or losing the thread.

That's the part of Vibe Create that actually felt like directing, less prompting in isolation, more standing inside a living workspace and shaping it.

Built with Dreamina Octo + Dreamina Seedance 2.0.
#thedrifter
@dreamina_ai
#DreaminaOcto #DreaminaSeedance2 #DreaminaOctoVibeCreate #DreaminaCPP #DreaminaAI

[Major Kobayashi @majorK08]

@GlennHasABeard itss really great mate 💙

[Major Kobayashi @majorK08]

@carolletta ⚡️⚡️https://t.co/fjPo5AL6lD

[Major Kobayashi @majorK08]

A field test from my original world: THE DRIFTER.
This sequence is called EMBERLINE SURFACE OPERATION: GOD-HARVEST.

An underground rebel army drags its war machines up to the dead surface to do one thing: chain a God Beast long enough to crack open its chest and steal the fire inside. Harpoon tanks. Steel cables. Exo-suits. Artillery. Extraction teams. Everything thrown at a single creature just to hold it still.

I built this whole test inside Dreamina Octo paired with Dreamina Seedance 2.0. What surprised me wasn't generating clips, it was never leaving the flow. I could drop in a sketch, a reference frame, a line of story, or just talk a shot through, and Octo read the direction with me and pushed it further instead of resetting every time. References, creature design, location sheets, shot logic, battlefield editing, and the final shots all lived on one canvas: story → assets → storyboard → screen, without switching tools or losing the thread.

That's the part of Vibe Create that actually felt like directing, less prompting in isolation, more standing inside a living workspace and shaping it.

Built with Dreamina Octo + Dreamina Seedance 2.0.
#thedrifter
@dreamina_ai
#DreaminaOcto #DreaminaSeedance2 #DreaminaOctoVibeCreate #DreaminaCPP #DreaminaAI

[Major Kobayashi @majorK08]

@vai1kai Hiii