I created a Motion Design Product Visualisation video for Drake's Nocta using generative AI.
It was composed solely of 4 video output by Seedance2.0. With click, you could centrally manage images and videos, this would normally take us a month but now 24hrs
I created a Motion Design Product Visualisation video for Drake's Nocta using generative AI.
It was composed solely of 4 video output by Seedance2.0. With click, you could centrally manage images and videos, this would normally take us a month but now 24hrs
I created a Motion Design Product Visualisation video for Drake's Nocta using generative AI.
It was composed solely of 4 video output by Seedance2.0. With click, you could centrally manage images and videos, this would normally take us a month but now 24hrs
KODAK LANCIA → Kling 3.0 Multi-cut 🤯
W. Weavy + Nano Banana + Kling 3.0
>>Workflow + prompts in thread<<
PROCESS:
1. Build out car + design in weavy.
2. Create lifestyle shots
3. Bring to life with Kling 3.0 Multi-cut
Kling 3.0 Thoughts:
+ Genuinely impressed
+ Multi-cut is coherent and consistent
+ The grunge/angles/camera movement/shake
+ All-around quality update
Not perfect by any means.
But the level of control is really nuts.
New dope shit is live on Node Banana, your free & open source AI workflow editor. This bangs
- Easing curve node
- Audio node
- Stitch video and audio node
- Parallel executions
++
New Providers @wavespeed_ai, Kie AI
Thanks @8digit_ai and @lapodev for helping w/ this release
Experimenting whether AI can execute basic Motion inforgraphics. I definitely see a world were Non profits can create learning tools with AI Videos.
@_NMCH_
Experimenting whether AI can execute basic Motion inforgraphics. I definitely see a world were Non profits can create learning tools with AI Videos.
@_NMCH_
Nano Banana Pro on Google Gemini
Prompt:
A vertical cinematic editorial image composed of four horizontal film frames stacked vertically within a portrait (4:5) format. Cold Nordic coastline with black sand beach, calm ocean water, and massive jagged gray mountains in the background covered with mist and low clouds. Overcast sky, soft diffused daylight, desaturated cool tones.
Frame 1 (top):
Wide landscape shot of a lone woman walking along the shoreline, very small in frame, mountains dominating the scene, strong negative space, flat horizon.
Frame 2:
Medium frontal shot of the same woman standing still, centered. Pale skin, straight black shoulder-length hair moving slightly in wind, neutral serious expression. Wearing a brown cable-knit turtleneck sweater dress. Holding a black leather handbag.
Frame 3:
Extreme close-up of both hands gripping a structured black leather handbag with a curved gold metal handle. Sleeves visible, background heavily blurred.
Frame 4 (bottom):
Over-the-shoulder portrait as she turns her head back toward the camera, sharp eyes, calm intense expression, mountains softly blurred behind.
Ultra-realistic photography, cinematic film still, editorial fashion look, natural skin texture, no glam lighting, shallow depth of field, muted Nordic color grading, realistic proportions, 35mm lens feel, cold atmosphere.