Margaret Barton-Fumo

No Pussyfooting on

[Margaret Barton-Fumo @MarBarFu]

No Pussyfooting Episode 47, Monday nite at 8pm EST only on @kpissfm

[FunCityEditions @FunCityEdition]

We have 5 more copies of the PARTY GIRL Blu-ray, including the booklet w/rarely-seen images from director Daisy Von Scherler-Mayer's personal archive and an essay by @MarBarFu. Subsequent pressings do not contain the booklet.
👉 https://t.co/rQyHdXbfhW

[FunCityEditions @FunCityEdition]

"BAD COMPANY arrives on Blu-ray courtesy of Fun City Editions w/the excellent a/v presentation & the loving extras that we’ve come to expect from the label. Bonuses include trailers, radio spots, a critic’s commentary & a booklet containing a thoughtful essay by @MarBarFu."

[FunCityEditions @FunCityEdition]

We have limited stock on the first pressing of the BAD COMPANY Standard Edition Blu-ray. This edition does not come with a slipcover, but it does come with the booklet, which includes a new essay by Margaret Barton-Fumo. Booklets won't be re-printed.

👇
https://t.co/NviLIkDFv3

[FunCityEditions @FunCityEdition]

"BAD COMPANY is good company. Go see it!," implored Richard Schickel for @LIFE in 1972.

Blu-ray, w/brand-new restoration, via the ocn, is up for preorder now:
👉 https://t.co/o6J2iH7P0O

@studioralston art, @Saslow_Scott design, @mangiotto commentary, @MarBarFu essay.

[Cinema Guild @CinemaGuild]

"Trouncing through her surroundings like a melancholic Zazie dans le Métro (1960), [Tabata] animates the film w/ her precocious energy." -@MarBarFu on MOVING, which opens @FilmLinc Friday.

@Metrograph's Somai x 3 starts Fri w/ TYPHOON CLUB & P.P. RIDER. https://t.co/PwAm73Zcfy

[Metrograph @Metrograph]

"During a tenuous period of Japanese cinema, Sômai helped to usher in the wave of new independent cinema of the 2000s."

Today in the Metrograph Journal: An essay on the late director Shinji Sômai's youthful exuberance by Margaret Barton-Fumo (@MarBarFu). https://t.co/H7JuuDAbOZ

[Bloodvine @BloodvineOnline]

Margaret Barton-Fumo (@MarBarFu) reviews Damian McCarthy’s Oddity. His follow-up to 2020’s Caveat is “a classic whodunit couched in a haunted-house story with a touch of Gothic” that has consistently unnerving atmosphere and plenty of effective scares.
https://t.co/QgVX1Ee4am

[Michael Rother @_MichaelRother_]

Damo impassioned generations of musicians, but most importantly, he was a kind and gentle soul.
Here is when I was fortunate to meet him and to perform with him at a Jaki Liebezeit memorial concert in Cologne in 2018. Rest in peace, Damo. May your spirit keep on inspiring us.

[Margaret Barton-Fumo @MarBarFu]

No Pussyfooting episode 54, tonight at 8pm EST @kpissfm

[Bloodvine @BloodvineOnline]

Margaret Barton-Fumo (@MarBarFu) reviews the late Paul Vecchiali’s The Strangler. The underseen 1970 giallo-like genre-bender with style to spare is now in U.S. theaters for the first time courtesy of @AltInnocence.
https://t.co/uHd2USUXIJ

[Margaret Barton-Fumo @MarBarFu]

@cronenbabe ❤️

[Margaret Barton-Fumo @MarBarFu]

@Misterquartet Thanks, CBQ!

[Margaret Barton-Fumo @MarBarFu]

No Pussyfooting episode 49 will be an all-krautrock episode, Monday at 8pm EST ⁦@kpissfm⁩ https://t.co/TRIFwgjeLL

[Joe Dallesandro @DallesandroJoe]

Heartbreaking news today.

Ciao, my sweet Jane. You will always be remembered and I will never forget the times we shared. I will miss you.

[Violet Lucca @unbuttonmyeyes]

🧟‍♀️ Brains…brains…whatever happened to smart horror film criticism? Please support @killerkern’s publication, @BloodvineOnline! She wants to bring brains back to the (living) masses. Great perks from A24, Criterion, Kino Lorber, and others. 🧟‍♀️ https://t.co/wjuYEc2p9R

[Alliance of Women Film Journalists @AWFJ]

Head over to #AWFJ's Instagram to learn more about member @MarBarFu! We asked Margaret to share her film passions with us...but which film did she say turned her into a critic? Head here to find out: https://t.co/H1Vwn9U8Ud

[Violet Lucca @unbuttonmyeyes]

Sign this petition in order to protect the @MutterMuseum from being sanitized! Visiting the collection was a truly life-altering experience for me. Everyone—whether they're physically present or accessing its digital assets—should see the Mütter! https://t.co/fSBAR2SFLZ

[FunCityEditions @FunCityEdition]

“@MarBarFu draws a comparison between film remakes and cover songs, which is really apt in this case: BREATHLESS (1983) feels more like a reinterpretation or ‘cover’ of BREATHLESS (1960) than any sort of substitute or replacement.”

[Alliance of Women Film Journalists @AWFJ]

A great week for movies by/about women, including #DryGroundSeason, #JudyBlumeForever, #LittleRichardIAmEverything, #River, #OtherPeoplesChildren & #TrenqueLauquen! @MarBarFu reports on what's opening: https://t.co/bcbVvM6971
Check out the 🧵 ⬇️ for reviews on all 6!