MaryMtck

Just a girl that streams politics & pop culture. Follow for my thoughts! 🇭🇰 🇬🇧 🇺🇸

[hasanabi @hasanthehun]

is abdul looking electable now?

[MaryMtck @MaryMtck]

Let’s go Abdul!!!! #elections

[MaryMtck @MaryMtck]

@Variety I hate how this is for women in this world but especially apparent in Hollywood

[Lancesico 🇱🇨 @Bornakang]

The paychecks of Spiderman: Brand New Day cast

[MaryMtck @MaryMtck]

Michigan #elections today!
Let’s go Abdul!
Kornacki cam over CNN is the best legacy media live voting info incoming 💀😋 #MSNOW #MSNBC

[poponze @poponze]

Anne Hathaway viverá uma influenciadora conservadora que acorda em 1855.

Em “Yesteryear”, a personagem conhecida por defender um estilo de vida em que mulheres devem ser donas de casa e submissas ao marido, é transportada para 1855 e passa a viver na prática a realidade.

[MaryMtck @MaryMtck]

Sunk cost fallacy….so human, so difficult to surmount, but we must or it’ll control us

[MaryMtck @MaryMtck]

@VnMn22019093 Full video?!

[h ❀ @AY0DAYA]

the drama // the odyssey // spider-man

[Let God Sort Em Out @ItsYooQ]

This is PEAK FUCKING CASTING!!
Debate your mother!

[MaryMtck @MaryMtck]

@SonOfVaivasvata Penelope or Odysseus

[MaryMtck @MaryMtck]

Oka deffo not a fan of the ending. Well part of it 🫩.
What’s up with movies and ending recently. Not all but like Disclosure Day ending was so bad.

[RAE @Valkyrae]

Hosted the Red Carpet for the world premiere of Spider-Man!!!!

[MaryMtck @MaryMtck]

About to watch the movie “The Creator” about AI. the beginning exposition is so intriguing. Not what I expected. I expected a typical AI sentient robot etc. hopefully the rest of the movie won’t disappoint! ��

[MaryMtck @MaryMtck]

@Shanaya_Ja If she isn’t Jean grey imma be soooo 🫩🫩🫩🫩

[MaryMtck @MaryMtck]

@IRGC_Global Seems AI…

[MaryMtck @MaryMtck]

If this is true, that’s CRAAAZY with all the profits I’m sure there’s enough to spare.

[Archaeo - Histories @archeohistories]

Nolan’s ‘The Odyssey’ sparked unexpected controversy when one of the Viking ships used during production, an authentic, hand‑built replica owned by a small maritime heritage non‑profit, was returned with significant structural damage. The vessel, normally maintained through volunteer labor and modest donations, had been loaned out under the assumption that a major studio would treat it with care and cover any repairs. Instead, the organization found cracked planks, warped ribs, and a ruined sail system that would cost more than their annual operating budget to fix.

The non‑profit reached out to the production team repeatedly, hoping for a straightforward reimbursement or at least a conversation. What they encountered instead was silence. Emails went unanswered, calls were redirected, and the studio’s representatives insisted the damage was “pre‑existing,” despite photographic documentation taken before filming. For a group dedicated to preserving Viking‑age craftsmanship, the dismissal felt not just financially devastating but deeply disrespectful.

As the story spread among local historians and maritime enthusiasts, frustration grew. Volunteers who had spent years restoring the ship felt betrayed, watching a Hollywood epic profit from their work while leaving them with a broken artifact they could no longer sail or display. The incident became a symbol of the imbalance between massive film productions and the small cultural institutions they rely on, raising uncomfortable questions about responsibility, preservation, and the true cost of cinematic authenticity.

The damaged Viking ship had actually been restored using traditional clinker‑building techniques, meaning every plank was hand‑shaped and overlapped the next, so repairing even a “small” crack requires a specialist craftsman and days of labor. That’s why the non‑profit wasn’t just upset about the cost; the damage erased work done with skills that only a handful of artisans still practice today.

#archaeohistories

[MaryMtck @MaryMtck]

This year and next 1-2 years movies have been… cinemaaa

[MCU - The Direct @MCU_Direct]

The official upcoming theatrical slate of the #MCU:

[MCU - The Direct @MCU_Direct]

The official upcoming theatrical slate of the #MCU:

[Marvel Studios @MarvelStudios]

David Jonsson is your new Black Panther.

Black Panther 3, directed by Ryan Coogler, arrives in theaters December 15, 2028.