This week's #SpotlightOnCinema goes to Bob Fosse's All That Jazz (1979).
Subscriptions to this newsletter are free 🥳, so all are welcome to check out this or any other Spotlight write-up here —> https://t.co/NpWuLdufdH
This week's #SpotlightOnCinema goes to Tarsem's The Fall (2008).
Subscriptions to this newsletter are free 🥳 so all are welcome/encouraged to check out this or any other Spotlight write-up here --> https://t.co/x3SfIBFbY9
This week's #SpotlightOnCinema goes to Martin Scorsese's New York, New York (1977)
Subscriptions to this newsletter are free 🥳, so all are welcome to check out this or any other Spotlight write-up here —> https://t.co/2BYoWFLj5r
This week's #SpotlightOnCinema goes to Bernardo Bertolucci's La Luna (1979)
Subscriptions to this newsletter are free 🥳, so all are welcome to check out this or any other Spotlight write-up here —> https://t.co/mlDg0a3Jp7
@sbodrojan Then the time is now to toss out a link to my piece on their Tim's Vermeer doc:
https://t.co/crXQC1zdZK
Because now that you’ve reached "disconcerting amount of P&T’s Fool Us," you are in prime position to enjoy such things as my "Penn's Amazed Face" collage:
This week's #SpotlightOnCinema goes to Dorota Kobiela and Hugh Welchman’s Loving Vincent (2017). @LovingVincent@DorotaKobiela
Subscriptions to this newsletter are free, so all are welcome to check out this or any other Spotlight write-up here —> https://t.co/vSv2OKh9VT
This week's #SpotlightOnCinema goes to Penn & Teller's (@pennjillette and @MrTeller) Tim’s Vermeer (2013).
Subscriptions to this newsletter are free, so all are welcome to check out this or any other Spotlight write-up here —> https://t.co/crXQC1zdZK
This week's #SpotlightOnCinema goes to Joyce Chopra’s Smooth Talk (1985).
Subscriptions to this newsletter are free, so all are welcome to check out this or any other Spotlight write-up here --> https://t.co/AfZ1sEasil
This week's #SpotlightOnCinema goes to Ruth Leitman (@ruthlessfilms) and Carol Weaks Cassidy's Wildwood, NJ (1994). #WildwoodNJ
Subscriptions to this newsletter are free 🥳 so all are welcome to check out this or any other Spotlight write-up here --> https://t.co/SzXfqj1jaj
This week's #SpotlightOnCinema goes to Tarsem's The Fall (2008).
Subscriptions to this newsletter are free 🥳 so all are welcome/encouraged to check out this or any other Spotlight write-up here --> https://t.co/x3SfIBFbY9
This week's #SpotlightOnCinema goes to Tarsem's The Fall (2008).
Subscriptions to this newsletter are free 🥳 so all are welcome/encouraged to check out this or any other Spotlight write-up here --> https://t.co/x3SfIBFbY9
#SpotlightOnCinema has transferred itself to Substack and is planning to recommence during the first part of next month. https://t.co/dVo6zAJbL2
Here are all 26 write-ups from "Season 1" nicely laid out on a Letterboxd list: https://t.co/YoHFXJ4RfF
Welcome to the new. 🎥🎞️
@TerrenceHunter As a fellow certified member of The Last Seduction Society, thank you for doing your part!
(This thread contains a link to my write-up appreciating the film and Linda Fiorentino, in case there's interest in some reading! ⬇️)
https://t.co/bgJIvouAv4
This week's #SpotlightOnCinema write-up goes to Todd Solondz's Dark Horse (2012).
Feel free to give 'er a read here --> https://t.co/VsrG4cr1Zl
(And! All are welcome to subscribe to this newsletter and/or just check out the "letter archive" via https://t.co/jTPUS5cxmJ)
Plots to kill an apparent ‘loved one’ whilst out boating…
[Leave Her to Heaven (1945), Monsieur Verdoux (1947), A Place in the Sun (1951), A New Leaf (1971)]
This week's #SpotlightonCinema write-up goes to John M. Stahl's Leave Her to Heaven (1945).
Can read it here: https://t.co/tbdyRhbViV
(All are welcome to subscribe to this newsletter and/or just check out the "letter archive" via https://t.co/jTPUS5cxmJ)
Martin Scorsese has acknowledged using Leave Her to Heaven (1945) as a reference point for, specifically, his New York, New York (1977) and The Aviator (2004), whose “Everybody works for you, Howard” line delivery was directly inspired by Heaven's "Ellen always wins":
Plots to kill an apparent ‘loved one’ whilst out boating…
[Leave Her to Heaven (1945), Monsieur Verdoux (1947), A Place in the Sun (1951), A New Leaf (1971)]
This week's #SpotlightOnCinema write-up goes to Elaine May's first feature film, A New Leaf (1971).
Can read it here: https://t.co/1KU2eGR6jM
(All are welcome to subscribe to this newsletter and/or just check out the "letter archive" via https://t.co/jTPUS5cxmJ)
6) It is in this way that, say, on Bewitched, Dick York could be replaced by Dick Sargent (as he was in season 6) and the show's reality isn't completely disturbed - or, at least, not anymore 'disturbed' than it already was (Solondz has called The Brady Bunch 'deranged')...
This week's #SpotlightOnCinema write-up goes to Todd Solondz's Dark Horse (2012).
Feel free to give 'er a read here --> https://t.co/VsrG4cr1Zl
(And! All are welcome to subscribe to this newsletter and/or just check out the "letter archive" via https://t.co/jTPUS5cxmJ)
5) This technique, however, does not feel like the work of some sort of 'provocateur.' Solondz presents everything in a straightforward manner, within orderly, sanitized worlds that lean into sitcom/soap opera aesthetics (an unsettling polish audiences are happy to accept)…