Curioso es que en "cosas de críos/as" nunca le hayan bajado los pantalones a un crío entre varias niñas para tocarle el culo o el pene. Curioso es, no?
@SATMX Hola Dios soy yo de nuevo. Me acaba de llegar su correo invitándome a pagar mis impuestos del mes pasado... pero ya los pagué. ¿Cómo puedo verificar que ustedes tengan mi pago reflejado? Tengo mi comprobante y todo.
Here's what's going on in Lucas's films:
First, Coruscant is fundamentally designed to evoke the Death Star. Coruscant represents the urban-political world, while the Death Star represents the pure technological world. These two worlds are conceptually distinct, yet very closely related. Coruscant does not look exactly like the Death Star all the time or at every level of its vertical structure, but there is still a visual relationship.
As you get farther from the top levels of Coruscant, where the politicians live, the aesthetic of Coruscant starts to diverge more from the Death Star, which you see in the lower entertainment levels or in the Underworld proper.
When the Empire takes over, it does not literally remodel the entire planet of Coruscant at every level and start inserting terrestrial-looking Brutalist structures into random locations, as we see in Andor. There is a very specific and unique Imperialized Brutalist look, which starts with military bases installed during the Clone Wars and would presumably have expanded outward from there as Coruscant became more and more a militarized and policed society.
There was a highly intentional system of interrelated aesthetic relationships that Lucas established across various levels of the society as well as across various time periods, and a logical progression from the Republic era to the Imperialized era was clearly being seeded by Lucas in a very specific way on Coruscant.
Andor ignores all of this, and the result is a far less coherent or interesting aesthetic universe than the one created by George Lucas, the creator of Star Wars.
Here's what's going on in Lucas's films:
First, Coruscant is fundamentally designed to evoke the Death Star. Coruscant represents the urban-political world, while the Death Star represents the pure technological world. These two worlds are conceptually distinct, yet very closely related. Coruscant does not look exactly like the Death Star all the time or at every level of its vertical structure, but there is still a visual relationship.
As you get farther from the top levels of Coruscant, where the politicians live, the aesthetic of Coruscant starts to diverge more from the Death Star, which you see in the lower entertainment levels or in the Underworld proper.
When the Empire takes over, it does not literally remodel the entire planet of Coruscant at every level and start inserting terrestrial-looking Brutalist structures into random locations, as we see in Andor. There is a very specific and unique Imperialized Brutalist look, which starts with military bases installed during the Clone Wars and would presumably have expanded outward from there as Coruscant became more and more a militarized and policed society.
There was a highly intentional system of interrelated aesthetic relationships that Lucas established across various levels of the society as well as across various time periods, and a logical progression from the Republic era to the Imperialized era was clearly being seeded by Lucas in a very specific way on Coruscant.
Andor ignores all of this, and the result is a far less coherent or interesting aesthetic universe than the one created by George Lucas, the creator of Star Wars.
Kaishu Sano y los otros agresores sexuales que van a participar libremente en el mundial son un recordatorio de la valentía que toma denunciar, aún sabiendo que en esta sociedad que premia a los agresores esas denuncias no son tomadas en serio.
@AdrianRubalcava Hola bebé! Qué crees, acabo de ver una rata en el @MetroCDMX, andén de mujeres de Polanco dirección Barranca. Yo sé que a ti y a @ClaraBrugadaM no les importamos ni tantito la ciudadanía que pagamos impuestos, pero qué va a decir la visita??
@italymystery Season 1 ended with the ship arriving and everyone was crazy speculating who it was inside, and I swear to God I was sure it was Krypto in there. It emotionally destroyed me to see the start of Season 2 and find a dude, let alone the dumpster fire that came afterwards
@AICM_mx Fuera de bromi, mañana regreso a México por la T2. ¿Puedo tomar un Uber en la terminal para moverme de forma práctica y segura o a fuerza la @GN_MEXICO_ me va a obligar a caminar mil metros o dejarme robar por la mafia de taxistas?