Sydney Pollack’s 1969 masterpiece THEY SHOOT HORSES, DON’T THEY? stars Jane Fonda as a tragic marathon dancer in the throes of Depression-era desperation.
Bleak Week New York presents a rare archival 35mm print of this acclaimed New Hollywood classic, introduced by HIS THREE DAUGHTERS director Azazel Jacobs, on June 6! Don’t miss this one - it’s not available on streaming! https://t.co/8yYonDJPYU
BLEAK WEEK NEW YORK is back! Co-presented by @am_cinematheque, screening June 5-11 at the Paris.
17 films | 7 special guest appearances
5 on 35mm | 6 new restorations
Screenings with Steve Buscemi, Michael Almereyda, Carrie Coon, Tracy Letts, Anthony Edwards, Mare Winningham, Carter Burwell and more!
Get tickets now. https://t.co/AboMQPujA2
i find the dilution of the pro palestine cause into stan wars re ‘this celeb’s boyfriend liked a zionist instagram post!’ to be flatly offensive towards palestinians honestly
I like this game, mine are Girl, Mother, Pretty Good Year, Space Dog, Yes Anastasia, Sister Janet, Horses, Little Amsterdam, iieee, Playboy Mommy, Taxi Ride, Scarlet's Walk
My favorite Tori Amos songs are Precious Things, Silent All These Years, Icicle, Bells For Her, Putting the Damage On, Beauty Queen/ Horses, Black Dove, Playboy Mommy, Amber Waves, I Cant’t See New York
Announcing our next @LAFilmCritics at the Egyptian event: LOS ANGELES PLAYS ITSELF with director Thom Andersen in person for Q&A moderated by LAFCA members @swen_ryan and @JordanCronk!
The landmark 2003 essay film LOS ANGELES PLAYS ITSELF won LAFCA's Douglas Edwards Experimental/Independent Film/Video award and has since developed legendary status.
Join us for this critically-acclaimed whirlwind tour of Los Angeles' real and cinematic history. Tickets on sale now!
https://t.co/c2vLokm3kk
#Venice: Kathryn Bigelow's explosively entertaining cautionary tale about the U.S. government's response to a fictional-in-premise-only nuclear attack will ruin your day. You're welcome.
Read our Critic's Pick review for "A House of Dynamite": https://t.co/E7YYhKwLZo
#Venice: Kathryn Bigelow's explosively entertaining cautionary tale about the U.S. government's response to a fictional-in-premise-only nuclear attack will ruin your day. You're welcome.
Read our Critic's Pick review for "A House of Dynamite": https://t.co/E7YYhKwLZo
Announcing the third annual Big & Loud!
📅August 29 – September 25 at NYC's Paris Theater
Four consecutive weeks of cinema’s most unforgettable sensory experiences with a jam-packed lineup of 70mm, Dolby Atmos, and audio-obsessive cinema.
Tickets: https://t.co/iywU6FI21o
✨ Highlights:
Premieres of our own brand new 70mm prints of CLOSE ENCOUNTERS OF THE THIRD KIND (Director’s Cut) and LAWRENCE OF ARABIA
First NYC 70mm screenings in 30+ years of AMADEUS, THE DOORS, DUNE (1984), GHOSTBUSTERS (1984), SPACEBALLS and TOTAL RECALL (1990)
A rare 70mm presentation of AMADEUS followed by a Q&A with Paul Zaentz of the Saul Zaentz Company
Stepping Into the Unknown: Films from the Bob Dylan Center, featuring films from the Bob Dylan Archive, followed by an onstage conversation between Steven Jenkins, Director of the Bob Dylan Center in Tulsa, OK, and musician Elvis Costello
APOCALYPSE NOW: Original 1979 Roadshow Version, featuring the 4K restoration supervised by Francis Ford Coppola
New York Premiere of new 4K Restoration of Stanley Kubrick’s BARRY LYNDON
Melanie Lynskey's been playing American so long, people forget or never knew that she's from New Zealand.
I worked on a NZ film called THE CHANGEOVER; a friend saw it and said "Melanie's Kiwi accent was a little off", and I'm like....that is her literal speaking voice.
Taking the classics off the pedestal and engaging with them as if new: The Rules of the Game, Jean Renoir's effervescently revolutionary masterwork of life before wartime, proves even more powerful up close; coming to @ParisTheaterNYC, on @criterionchannl
https://t.co/64PsNk5Wp2
Last night was pure magic. Talking to Disney animation legends Ron Clements and John Musker about the making of THE LITTLE MERMAID was a delight. These artists are behind several movies that mean so much to me. Thank you to @EgyptianLA and @LAFilmCritics for making it happen!
On Thursday, July 24 I’ll be moderating a Q&A with Disney animation legends Ron Clements and John Musker before a screening of THE LITTLE MERMAID at @EgyptianLA as part of @LAFilmCritics’s 50th anniversary celebration. Feel so honored. Link to ticket info in first reply.
Announcing our next screening in the @LAFilmCritics at the Egyptian series... THE LITTLE MERMAID!
Join us Thursday, July 24 at 7:30! Featuring Q&A (before the film screening) with directors Ron Clements and John Musker, moderated by @LaFilmCritics member @carlos_film. 🧜♀️ Be where the people are – get your tickets now! https://t.co/ylnkguAOZ2
Speaking of Howard Hawks, a triple-header on Gentlemen Prefer Blondes (playing tonight at 7 at the @ParisTheaterNYC): the movie, the phenomenon, the words of Jane Russell, plus....
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We're celebrating THE GOLD RUSH's 100th at the @EgyptianLA tomorrow....on the date and at the place it premiered in 1925!
Technically sold out right now, but tickets have a way of popping back up: https://t.co/pVXpl5BMfN
Speaking of summer-movie anniversaries, the one that matters is Charlie Chaplin's The Gold Rush, which turns 100 tomorrow (at least, its release does); the self-critical artist ultimately found fault with it and took action, but its original greatness endures nonetheless:...